On January 15, 2021, the song "Then What" was released by Illy. Then What is considered explicit and may contain foul language. This song is about 3 minutes and 2 seconds, which is about the average length of a typical song. There are a total of 14 in the song's album "The Space Between". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Australia. Then What is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Then What by Illy having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| TOKYO | C.WATTS, Illy | D♭ Major | 7 | 3B | 80 BPM | ||
| Queensland | Evil Eddie | E Minor | 8 | 9A | 92 BPM | ||
| Throw Away My Number (feat. Riley Biederer) | Jordie Ireland, Riley Biederer | F Major | 7 | 7B | 105 BPM | ||
| Am Yours | Illy | G Major | 5 | 9B | 185 BPM | ||
| Mad As Hell | Funkoars | C Major | 8 | 8B | 114 BPM | ||
| TALK DEEP | E^ST | E Major | 9 | 12B | 130 BPM | ||
| Hey Boys And Girls | Evermore | F♯ Minor | 9 | 11A | 128 BPM | ||
| Dear Science | Seth Sentry | G Major | 7 | 9B | 95 BPM | ||
| Fortune & Fame | Downsyde, Howling John Stone | D Minor | 8 | 7A | 96 BPM | ||
| Embracing Me | SAFIA | D Major | 7 | 10B | 110 BPM | ||
| Hoodlum | Dallas Woods, Jerome Farah | D♭ Major | 8 | 3B | 180 BPM | ||
| I'd Go With You Anywhere | Birds Of Tokyo | D♭ Major | 7 | 3B | 121 BPM | ||
| Couch | Eves Karydas | F Major | 6 | 7B | 100 BPM | ||
| Take Cover | Jordie Ireland | F Major | 6 | 7B | 132 BPM | ||
| Second Heartbeat | Urthboy, Sampa the Great, OKENYO | A♭ Minor | 7 | 1A | 90 BPM | ||
| Magazine | Vera Blue | B♭ Minor | 7 | 3A | 95 BPM | ||
| We Are Done | The Madden Brothers | D♭ Minor | 7 | 12A | 121 BPM | ||
| Never Say Never | Thundamentals | F♯ Minor | 9 | 11A | 93 BPM | ||
| Then What | Illy | E Minor | 7 | 9A | 73 BPM | ||
| Temporary Me | Kings | D Major | 4 | 10B | 97 BPM | ||
| Starlight | SAFIA | B Minor | 7 | 10A | 101 BPM | ||
| This Is | Burn-Out, Big D, Illy | A Minor | 6 | 8A | 83 BPM | ||
| Chapter One | Dallas Woods | A♭ Major | 8 | 4B | 96 BPM | ||
| Always A Winner | Pete Murray | C Major | 8 | 8B | 126 BPM | ||
| My Scene | Seth Sentry | F Minor | 7 | 4A | 175 BPM |