A. M. Rajah, P. Leela, T.N.Ramiah Doss's ' "Anandham Paramanandham" was released on its scheduled release date, December 31, 1958. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Anandham Paramanandham's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in S. Rajeswara Rao, Thanjai N. Ramaiah Dass, T.N.Ramiah Doss's "Kadan Vaangi Kalyanam (Original Motion Picture Soundtrack)" album is number 11 out of 12. On top of that, India appears to be the country where this track was created. Anandham Paramanandham is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Anandham Paramanandham by A. M. Rajah, P. Leela, T.N.Ramiah Doss to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vaazhvae Maayama | B.S. Sasirekha | A Major | 4 | 11B | 116 BPM | ||
| Naan Seitha | P. Leela, A. M. Rajah, T.N.Ramiah Doss | F Minor | 4 | 4A | 135 BPM | ||
| Ide Paata, Pt. 1 | K. Muralidhar | A Major | 6 | 11B | 75 BPM | ||
| Thullatha Manamum | Jikki | F Minor | 3 | 4A | 121 BPM | ||
| Chinnanchirukiliye | M. L. Vasanthakumari, M. K. Thyagaraja Bhagavathar | B Major | 4 | 1B | 93 BPM | ||
| Meenkodi Theril - Female Vocals | Jency Anthony | G Major | 4 | 9B | 167 BPM | ||
| Daari Kannadhagidhe | Vani Jairam | A Major | 6 | 11B | 139 BPM | ||
| Yen Endra Kelvi | T. M. Soundararajan | B Major | 1 | 1B | 177 BPM | ||
| Maranathai Enni | Sirkazhi Govindarajan | B Minor | 2 | 10A | 125 BPM | ||
| Unnidam Mayangugiren | K. J. Yesudas | C Major | 4 | 8B | 86 BPM | ||
| Aayiram Karangal Neeti | Sirkazhi Govindarajan | G Major | 6 | 9B | 103 BPM | ||
| Mayakkum Maalai Pozhuthey | A. M. Rajah, Jikki | F♯ Major | 4 | 2B | 106 BPM | ||
| Aththaan Ennathaan | P. Susheela | C Minor | 3 | 5A | 79 BPM | ||
| Oho Endhan Baby - Afro Mix | Ooratti, A. M. Rajah, Srinivas, Anupama | G Major | 6 | 9B | 94 BPM | ||
| Biddiyabbe Muduki | C. Ashwath, Santha Shishunala Sharifa, Shivamogga Subbanna | D Major | 8 | 10B | 115 BPM | ||
| Poonthendrale Nee | S.A. Rajkumar, P. Jayachandran, Sunanda | D Major | 4 | 10B | 94 BPM | ||
| Vaaraai En Thozhi With Dialogues | L. R. Eswari, M. S. Rajeswari | F♯ Minor | 5 | 11A | 124 BPM | ||
| Manmatha Leelayai | M. K. Thyagaraja Bhagavathar | B Major | 4 | 1B | 94 BPM | ||
| Vaadikai Maranthathum | A. M. Rajah, P. Susheela | F♯ Major | 5 | 2B | 73 BPM | ||
| Kattruvaanga Ponen | T. M. Soundararajan | E Minor | 7 | 9A | 163 BPM | ||
| Kalangamilla Kadhale | A. M. Rajah, Jikki, Kannadasan | C Minor | 3 | 5A | 137 BPM | ||
| Chinna Chinna Kannile | P. Susheela, A. M. Rajah | C Minor | 7 | 5A | 92 BPM | ||
| Manassinakathoru | K. P. Udayabhanu | A Minor | 6 | 8A | 94 BPM | ||
| Chakkara Pandalil (From "Kathirukanakkili") | A. P. Komala, Vayalar | F Major | 2 | 7B | 97 BPM | ||
| Oru Naal Pothuma | Dr. M. Balamuralikrishna, Kannadasan | C Minor | 5 | 5A | 129 BPM |