"3 Songs: Rat Riddles" by Ruth Crawford Seeger, Nan Hughes, Marsha Heller, Erik Charlston, Cheryl Seltzer, Continuum, Joel Sachs had its release date on July 1, 2005. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Seeger: Vocal, Chamber and Instrumental Works". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Hong Kong. The popularity of 3 Songs: Rat Riddles is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Songs: Rat Riddles by Ruth Crawford Seeger, Nan Hughes, Marsha Heller, Erik Charlston, Cheryl Seltzer, Continuum, Joel Sachs having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet, "1931": IV. Allegro possibile | Ruth Crawford Seeger, Pellegrini Quartet | C Major | 3 | 8B | 79 BPM | ||
| Beyond the Stars | Astrid Voix | D♭ Minor | 0 | 12A | 80 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Schoenberg: 6 Little Piano Pieces, Op. 19: No. 6, Sehr langsam | Arnold Schoenberg, Daniel Barenboim | B♭ Major | 0 | 6B | 184 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Cantus arcticus, Op. 61 (Concerto for Birds and Orchestra): III. Swans migrating | Einojuhani Rautavaara, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Minor | 0 | 12A | 80 BPM | ||
| Three Compositions | Milton Babbitt, Robert Taub | D♭ Major | 1 | 3B | 60 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | D♭ Minor | 0 | 12A | 80 BPM | ||
| 5 Pieces for String Quartet: No. 5, Alla Tarantella | Erwin Schulhoff, Aviv Quartet | A Minor | 2 | 8A | 80 BPM | ||
| Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM | ||
| Road Movies: III. 40% Swing | John Adams | E Minor | 3 | 9A | 135 BPM | ||
| Void Pulse | Astrid Voix | D♭ Minor | 0 | 12A | 80 BPM | ||
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | D♭ Minor | 0 | 12A | 80 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | ||
| Rissolty Rossolty (arr. for brass ensemble by Jarle Storløkken) | Ruth Crawford Seeger, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
| Tríptico A(marillo) | Renato Di Prinzio, Renato Pedro Di Prinzio | A Major | 2 | 11B | 94 BPM | ||
| Presto in C Minor, H.230 Wq.114/3 | Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta | D♭ Major | 0 | 3B | 146 BPM | ||
| Viola Concerto, BB 128, Sz. 120: I. Moderato | Béla Bartók, James Ehnes, Gianandrea Noseda, BBC Philharmonic Orchestra | E Major | 1 | 12B | 85 BPM | ||
| Music for Small Orchestra (1926): 2. In roguish humor. Not fast | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Minor | 3 | 4A | 136 BPM | ||
| Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E♭ Major | 2 | 5B | 91 BPM | ||
| Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | ||
| Symphony No. 3: I. Langsom, breit, ruhig | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | C Minor | 1 | 5A | 82 BPM |