On April 12, 2019, the song "Mera Aapki Kirpa Se" was released by Rakesh Kala, Naresh Narsi. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Rakesh Kala's "Gyaras Ki Raat" album is number 20 out of 32. On top of that, India appears to be the country where this track was created. Based on our statistics, Mera Aapki Kirpa Se's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mera Aapki Kirpa Se by Rakesh Kala, Naresh Narsi to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sawariya Hai Seth Mhari Radha Ji | Niranjan Sarda, Pushpa Banerjee | A Major | 7 | 11B | 141 BPM | ||
| Prem Ab Anant Ho Gaya | Prem Bhushan Maharaj | D Major | 5 | 10B | 131 BPM | ||
| Teri Mand Mand Mushakniya Pe Balihar Raghav | Prakash Gandhi | D♭ Minor | 8 | 12A | 138 BPM | ||
| Ambey Maa Ambey | Kumar Ashu, Rakesh Kala | F Minor | 6 | 4A | 101 BPM | ||
| Salasar Kai Mandir Main | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Jalaram Bavni | Rohini Patel | C Minor | 4 | 5A | 118 BPM | ||
| Meethe Rash Se Bhari Radha Rani Lage | Rakesh Kala | F Minor | 7 | 4A | 88 BPM | ||
| Jalkamal Chhandi (From "Narsinh Mehta Na Prabhatiya") | Karsan Sagathia, Lalita Ghodadra | F Major | 4 | 7B | 173 BPM | ||
| Evu Shree Vallabh Prabhunu Naam-Shree Vallabhacharya Prarthna | Nidhi Dholakia, Nitin Devka | A♭ Major | 6 | 4B | 136 BPM | ||
| Shri Padmawati Chalisa | Rakesh Kala | E Major | 7 | 12B | 98 BPM | ||
| O Barsane Wali | Anjali Jain, Rakesh Kala, Ajeet Manocha, Pramod | A Major | 8 | 11B | 111 BPM | ||
| Bhakti Re Karvi Tene | Hari Bharwad | F♯ Minor | 8 | 11A | 143 BPM | ||
| Meri Ankhiyon Ke Samne | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 102 BPM | ||
| Shri Krishna Govind | Payel Mitra | E♭ Major | 5 | 5B | 90 BPM | ||
| Achyutam Keshavam | Madhvi Madhukar | E♭ Major | 3 | 5B | 176 BPM | ||
| Jiv Shane Phare Chhe | Hari Bharwad | F Minor | 6 | 4A | 143 BPM | ||
| Patthar Ki Radha Pyari | Rakesh Kala | F♯ Major | 7 | 2B | 98 BPM | ||
| Duniya Chalena Shriram | Master Rana | B♭ Minor | 4 | 3A | 80 BPM | ||
| Shyama Aan Baso Vrindavan Mein | Chetna | F♯ Minor | 6 | 11A | 168 BPM | ||
| Jhoom Jhoom Naache Dekho Bhakt Hanumana | Lakhbir Singh Lakkha | D♭ Major | 5 | 3B | 134 BPM | ||
| Buddham Sharanam Gachchami | Rakesh Kala | C Major | 8 | 8B | 174 BPM | ||
| Dori Saans Ke (Kantikartik) CG Song | OP Dewangan | G Major | 9 | 9B | 74 BPM | ||
| Mera Aapki Kripa Se | Dhruv Sharma, Swarna Shri | G Major | 5 | 9B | 100 BPM | ||
| Krishna Bhajan 2 - Mashup | Dhruv Sharma, Swarna Shri | A Major | 8 | 11B | 174 BPM | ||
| Meri Bhavna | Rupak Jain, Chetna Shukla | E♭ Minor | 4 | 2A | 132 BPM |