Rohini Patel's ' "Jalaram Bavni" was released on its scheduled release date, January 10, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Jalaram Bavni and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. In terms of popularity, Jalaram Bavni is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Jalaram Bavni by Rohini Patel to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Karunatripadi | Mahesh Hiremath, Shubhangi Joshi | F Major | 9 | 7B | 113 BPM | ||
| Bhimrupi Maharudra Stotra | Sameer Vijaykumar | D♭ Major | 4 | 3B | 163 BPM | ||
| Zulan Morli Vagi Re Raja Na Kunvar | Rupande Shah, Avani Parikh | A♭ Major | 4 | 4B | 114 BPM | ||
| Namo Namo Ganaraya | Sachidanand Appa | E Major | 9 | 12B | 134 BPM | ||
| Hey Nath (Prarthana) | Ashwani Amarnath | G Major | 5 | 9B | 75 BPM | ||
| Vasyo Chhe Chogala Valo | Sadhus of BAPS | B Major | 5 | 1B | 120 BPM | ||
| Vitthal Bhaktigeet - Dehachi Tijori | Mandar Apte | D Major | 5 | 10B | 140 BPM | ||
| Dhanya Dhanya Ti Saileela Haay | Sai bhakti, Rajesh Ranshur | E Major | 9 | 12B | 110 BPM | ||
| Ganpati Vandana | Manish Tiwari | G Major | 7 | 9B | 84 BPM | ||
| Radha Stotram | Ketan Patwardhan | E♭ Major | 2 | 5B | 150 BPM | ||
| Karpur Gauram Karunaavtaaram | Nirupama Dey | F Major | 3 | 7B | 120 BPM | ||
| Maha Laxmi Mantra | Shalini Sharma | F♯ Minor | 7 | 11A | 136 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Narnarayan Strotra | Shree Swaminarayan Mandir Kalupur | E♭ Major | 4 | 5B | 100 BPM | ||
| Moksha Ke Premi Hamne | Pandit Sanjeev Jain, Chetna | F♯ Major | 6 | 2B | 101 BPM | ||
| Baje Kundalpur Mein Badhai | Rajendra Jain, lal chand | F♯ Major | 7 | 2B | 145 BPM | ||
| Chintamani Mhari Chinta Choor | Mahavir Oswal | B♭ Major | 6 | 6B | 108 BPM | ||
| Man Ma Shu Malkay | Rohini Patel | B Major | 6 | 1B | 92 BPM | ||
| Unjavali Maat Mari Umiya Bhawani | Jignesh Dada | G Major | 8 | 9B | 138 BPM | ||
| Vitthal Maza Maza | Mahesh Hiremath, Shubhangi Jhoshi | B Major | 5 | 1B | 86 BPM | ||
| Rangai Jane Rang Ma | Rohini Patel | F♯ Minor | 7 | 11A | 99 BPM | ||
| Ganraya Lavkar Yei | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 100 BPM | ||
| Vida Ghya | Bharat Balvalli | E Major | 3 | 12B | 88 BPM | ||
| Mero to Adhar Shri Vallabh Ke Charnavind | Ami Joshi, Asif Jeriya | F♯ Major | 4 | 2B | 105 BPM | ||
| Shrinathji Mangla Charan | Chorus | E♭ Major | 3 | 5B | 90 BPM |