"白鳥" by C. サン=サーンス, 田端直美(サックス), 白石光隆(ピアノ) had its release date on November 24, 2012. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. 白鳥's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in アヴェ・マリア サクソフォン小品集, so we believe that "白鳥" is a single. 白鳥 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 白鳥 by C. サン=サーンス, 田端直美(サックス), 白石光隆(ピアノ) is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (c) Variation II | Joseph Haydn, Quatuor Arod | C Minor | 2 | 5A | 82 BPM | ||
| Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM | ||
| Quando m`en vo | Five Sense | G Major | 2 | 9B | 78 BPM | ||
| Piano Sonata in G Major, Op. 10: II. Largo | Franz Xaver Wolfgang Mozart, Robert Markham | G Major | 0 | 9B | 82 BPM | ||
| Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | ||
| Lieder ohne Worte VII, Op. 85: II. Allegro agitato (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Julien Quentin | A Minor | 2 | 8A | 110 BPM | ||
| Schwedische Weisen und Tänze, Op. 6 (Arr. for Nyckelharpa and Piano Trio by Trio Ernest and Éléonore Billy): No. 4, Allegro non troppo | Amanda Maier, Julius Röntgen, Trio Ernest, Éléonore Billy | D Major | 3 | 10B | 124 BPM | ||
| The Old Refrain | Fritz Kreisler, Elissa Lee Koljonen, Robert Koenig | G Minor | 1 | 6A | 160 BPM | ||
| Romanze F Minor: Romanze F Minor | Sergei Rachmaninoff, Reiner Ginzel, Gitti Pirner | F Minor | 0 | 4A | 166 BPM | ||
| Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): III. Presto | Johann Joachim Quantz, Claudio Ferrarini | E♭ Major | 0 | 5B | 68 BPM | ||
| Lieder ohne Worte VII, Op. 85: IV. Andante sostenuto, MWV U190 "Elegy" (Arr. Ottensamer for Clarinet & Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | D Major | 0 | 10B | 133 BPM | ||
| Andante sostenuto | Gaetano Donizetti, Eva Oertle, Vesselin Stanev | A Minor | 1 | 8A | 176 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E♭ Major | 0 | 5B | 68 BPM | ||
| 6 Lieder, Op. 13: No. 1, Ich stand in dunklen Träumen (Transcr. Soltani for Cello and Piano) | Clara Schumann, Kian Soltani, Julien Quentin | E♭ Major | 0 | 5B | 86 BPM | ||
| あなたの声に心は開く 歌劇『サムソンとデリラ』より | C. サン=サーンス, ザ・モスト, 奥野儀光(トランペット), 杉本正毅(トランペット), 高橋敦(トランペット), 田中敏雄(トランペット), 中山隆崇(トランペット), 森岡正典(トランペット), 野田清隆(ピアノ) | G Major | 0 | 9B | 77 BPM | ||
| Quintette avec clarinette in B Minor, Op. 115: IV. Con moto | Johannes Brahms, Florent Héau, Quatuor Voce | G Major | 1 | 9B | 79 BPM | ||
| Symphony No. 3 in E Flat Major, Op. 90: III. Menuetto. Moderato - Trio I - Trio II | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | E♭ Major | 0 | 5B | 174 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E♭ Major | 0 | 5B | 68 BPM | ||
| Introduzione e 8 Variazioni Brillanti su un tema originale in F Major, Op. 32: (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): X. Variation 8 | Ernst Krähmer, Claudio Ferrarini | E♭ Major | 0 | 5B | 68 BPM | ||
| Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | E♭ Major | 0 | 5B | 68 BPM | ||
| Three Duets: I. Prelude from "The Gadfly" | Dmitri Shostakovich, Angela Chun, Jennifer Chun, Nelson Padgett, Konstantin Fortunatov | E Minor | 0 | 9A | 80 BPM | ||
| Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM | ||
| Estrellita | Manuel Ponce, Pablo Ferrandez, Julien Quentin | F♯ Major | 1 | 2B | 111 BPM | ||
| On an Overgrown Path, Book 1, JW VIII/17: No. 5, Štěbetaly jak laštovičky | Leoš Janáček, Jennifer Elowsky-fox | F♯ Major | 0 | 2B | 65 BPM |