"Cybernetics" by Boston 168 had its release date on February 6, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Phenomena, Pt. 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Cybernetics's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Cybernetics by Boston 168 having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Retrograde Motion | Insolate | A♭ Major | 7 | 4B | 135 BPM | ||
| Terror Acid | Boston 168 | A♭ Major | 10 | 4B | 128 BPM | ||
| Render - Regal Remix | Amelie Lens, Regal | G Major | 7 | 9B | 132 BPM | ||
| Should We Call It Trance | 90 Process | D♭ Minor | 9 | 12A | 140 BPM | ||
| Die weiße Rose | SHDW, Obscure Shape | D♭ Minor | 9 | 12A | 130 BPM | ||
| Rules Of The Industry | Tim Tama, Remco Beekwilder | A♭ Major | 9 | 4B | 133 BPM | ||
| Sakha | Rikhter | G Major | 9 | 9B | 140 BPM | ||
| Rabbit | Joyhauser | B Minor | 7 | 10A | 130 BPM | ||
| Voices in the Hall | AADJA | F♯ Minor | 9 | 11A | 166 BPM | ||
| Onryo - Obscure Shape & SHDW Remix | Introversion, SHDW & Obscure Shape | F♯ Major | 8 | 2B | 137 BPM | ||
| Strange Mind | AIROD | F♯ Major | 10 | 2B | 135 BPM | ||
| Etnas | MRD | D♭ Major | 9 | 3B | 140 BPM | ||
| Infinite | Milo Spykers | F♯ Major | 10 | 2B | 132 BPM | ||
| Collider - Karenn Remix | Jon Hopkins, Karenn | G Major | 8 | 9B | 135 BPM | ||
| The Quest | Dax J | D♭ Major | 9 | 3B | 134 BPM | ||
| Prophetic Steps | Tesox | D Major | 8 | 10B | 138 BPM | ||
| The Tube | FJAAK | E♭ Minor | 6 | 2A | 133 BPM | ||
| Cybernetics | Boston 168 | B Minor | 9 | 10A | 125 BPM | ||
| Galactic Highways | ANNA | F Major | 9 | 7B | 130 BPM | ||
| Prey for Lust - Cleric Remix | I Hate Models, Cleric | D♭ Major | 8 | 3B | 135 BPM | ||
| Embody - Radio Edit | Thomas Schumacher | E Minor | 10 | 9A | 128 BPM | ||
| Dystopia | Introversion | B♭ Major | 8 | 6B | 130 BPM | ||
| Quantum | Etapp Kyle | D♭ Major | 6 | 3B | 131 BPM | ||
| 5AM | Boston 168 | B Minor | 8 | 10A | 135 BPM | ||
| Red Clouds - Somewhen Falling Ashes Mix | Parallx, Somewhen | G Major | 9 | 9B | 140 BPM |