On May 2, 2024, the song "Ari Kamani Bani Hoon Sunder Naina Anjan Sare Ri" was released by Rajbala Bahadurgadh. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Rajbala Bahadur Garh Ki Chatpati Ragniyaan". In this album, this song's track order is #1. In terms of popularity, Ari Kamani Bani Hoon Sunder Naina Anjan Sare Ri is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Ari Kamani Bani Hoon Sunder Naina Anjan Sare Ri by Rajbala Bahadurgadh having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Is Jag Me Kon Hai Mera Mat Chhod Ke Jayiye Mata | Suresh Gola, Rajbala Bahadurgadh | G Major | 8 | 9B | 74 BPM | ||
| Bewafa Dulhan | Parmod Kumar Ajmeriya | B♭ Minor | 8 | 3A | 116 BPM | ||
| Sanwariya Re | Prem Shankar Jaat, Trisha Suthar | D♭ Minor | 6 | 12A | 153 BPM | ||
| Mane Satguru Milwa Ro Lago kod Umed Geri Laag Rahi | Bhagwat Suthar | E♭ Minor | 8 | 2A | 153 BPM | ||
| Je Sajjna Ne | Gurpreet Dhatt | G Minor | 9 | 6A | 84 BPM | ||
| Uche Jangal Pahad | Pawan Singh | B♭ Minor | 8 | 3A | 144 BPM | ||
| Amake Tumi Bhalobasoni | Koushik Adhikari, Priya Ghosh | D♭ Major | 7 | 3B | 93 BPM | ||
| 201 Dharmatalla | Nachiketa Chakraborty | A Major | 7 | 11B | 93 BPM | ||
| Mandfiya Ki Galiyo Me Radhe Radhe Gau | Mukesh Mahadeva | B Minor | 9 | 10A | 75 BPM | ||
| Govind Chale Aao Gopal Chale Aao | Aarti Ji | F♯ Major | 5 | 2B | 94 BPM | ||
| Dhan Dhan He Vidhata | Dukalu Yadav | F Minor | 9 | 4A | 146 BPM | ||
| Mahadev Ke Nachari | Kunj Bihari Mishr | F♯ Major | 9 | 2B | 136 BPM | ||
| Japakarojapa Karo Shri Ram | Dhiraj Sharma | A♭ Major | 5 | 4B | 136 BPM | ||
| O Piya Are Are | Subrat Moharana | B Minor | 8 | 10A | 81 BPM | ||
| Koliza ta Aguns | Nil Sagar | B♭ Minor | 9 | 3A | 143 BPM | ||
| Ari Kamani Bani Hoon Sunder Naina Anjan Sare Ri | Rajbala Bahadurgadh | A Major | 10 | 11B | 92 BPM | ||
| Raat Shyam Sapney Mein Aaye | Vandana Bhardwaj | F♯ Major | 8 | 2B | 140 BPM | ||
| Lake Dhuna Bhajan Karun Tha | Suresh Gola, Rajbala Bahadurgadh | D Major | 7 | 10B | 80 BPM | ||
| Martaba Naam Aur Izzat | Chhote Majid Shola | B♭ Major | 5 | 6B | 103 BPM | ||
| Pyala Pyala - Original | Nitin Mukesh | F Minor | 8 | 4A | 165 BPM | ||
| Koi Bole Tripurari | Rajkumar Bhardwaj, Anand Raj Anand | F♯ Major | 5 | 2B | 94 BPM | ||
| Bhool Aabe Re | Alka Chandrakar | F Minor | 7 | 4A | 123 BPM | ||
| Patte Janam Befa ho geya, Dera Sacha Sauda | Rehmat Records | E Minor | 4 | 9A | 140 BPM | ||
| Bhaje Mon Aapana Aapani Keho Naai | Pratima Barua (Pande) | E Major | 6 | 12B | 85 BPM | ||
| Tor Maya Mor Maya | Gorelal Barman, Ratan Sabiha | E♭ Major | 6 | 5B | 162 BPM |