"Serenade d'hiver (Live)" by Camille Saint-Saëns, Counterpoint, Joseph Piazza had its release date on August 5, 2014. This song is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There is only one song in 2014 American Choral Directors Association, Western Division (ACDA): Counterpoint & Mt. Eden High School Chamber Singers & Women's Choir [Live], so we believe that "Serenade d'hiver (Live)" is a single. The popularity of Serenade d'hiver (Live) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serenade d'hiver (Live) by Camille Saint-Saëns, Counterpoint, Joseph Piazza is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Children's Album No. 1 "Pictures of Childhood": No. 1, Andantino | Aram Khachaturian, Charlene Farrugia | A♭ Major | 0 | 4B | 84 BPM | ||
| Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Transcr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Lieder ohne Worte I, Op. 19b: VI. Andante sostenuto "Venetian Gondola Song", MWV U78 (Arr. Ottensamer for Clarinet & Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
| 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
| Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky) | Johann Sebastian Bach, Mischa Maisky, Lily Maisky | B♭ Major | 3 | 6B | 139 BPM | ||
| Saint-Saëns: Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | G Major | 0 | 9B | 175 BPM | ||
| Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 111 BPM | ||
| Intermezzo No. 1 | Manuel Ponce, Simon Ghraichy | E Minor | 1 | 9A | 67 BPM | ||
| Rêverie, L. 68 | Claude Debussy, Alain Planès | F Major | 0 | 7B | 63 BPM | ||
| The Arts and the Hours | Víkingur Ólafsson, Jean-Philippe Rameau | D♭ Major | 0 | 3B | 136 BPM | ||
| Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Irena Grafenauer, Eduard Brunner, Markus Steckeler, Edith Salmen-Weber | C Major | 3 | 8B | 103 BPM | ||
| Romeo and Juliet, Op. 64 / Act 1: Dance Of The Knights | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | B♭ Major | 6 | 6B | 124 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Stephen Hough, Bryden Thomson, Hallé | F Major | 0 | 7B | 66 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa | Wolfgang Amadeus Mozart, Pierre Génisson, Bruno Fontaine | D Minor | 0 | 7A | 121 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| The Lark | Mikhail Glinka, Evgeny Kissin | B♭ Minor | 0 | 3A | 96 BPM | ||
| Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Ave María (Arr. Víkingur Ólafsson) - Upright Piano | Víkingur Ólafsson | D Minor | 0 | 7A | 77 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Maskerade-Suite: I. Waltz | Aram Khachaturian, Veronika Dudarova, Moscow Symphony Orchestra | G Major | 10 | 9B | 107 BPM | ||
| Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
| Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | ||
| The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
| Cello Concerto No. 2 in D Minor, Op. 119: II. Allegro non troppo - Cadenza - Molto allegro | Camille Saint-Saëns, Gabriel Schwabe, Malmö Symphony Orchestra, Marc Soustrot | D Major | 1 | 10B | 92 BPM |