Johann Strauss II, 鎌田典三郎, 西六郷少年少女合唱団's '太陽のマーチ (ラデッキーマーチ)' had a release date set for March 25, 1992. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. 太陽のマーチ (ラデッキーマーチ)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in ソング・ブック III / 世界合唱名曲選集 (外国編), so we believe that "太陽のマーチ (ラデッキーマーチ)" is a single. 太陽のマーチ (ラデッキーマーチ) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 太陽のマーチ (ラデッキーマーチ) by Johann Strauss II, 鎌田典三郎, 西六郷少年少女合唱団 is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Souvenir de Florence, Op. 70: I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D♭ Major | 1 | 3B | 82 BPM | ||
| Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
| Feuerfest! Polka francaise, Op. 269 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Ernst Märzendorfer | D Major | 4 | 10B | 169 BPM | ||
| Suppé: Leichte Kavallerie: Ouvertüre | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
| Le nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, René Jacobs, Concerto Köln | D Major | 1 | 10B | 142 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
| Carmen, WD 31, Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | D Minor | 3 | 7A | 128 BPM | ||
| Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Op. 325 (RV 325) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | B♭ Major | 1 | 6B | 176 BPM | ||
| The Gold and Silver Waltz | The Manhattan Pops | C Major | 3 | 8B | 95 BPM | ||
| Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Major | 3 | 9B | 203 BPM | ||
| Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | ||
| Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, The Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
| The Comedians, Op. 26: Galop | Dimitri Kabelevsky, Berlin Symphonic Orchestra, Gerhard Becker | C Major | 0 | 8B | 97 BPM | ||
| Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
| La Gioconda, Op. 9: Dance of the Hours | Amilcare Ponchielli, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 117 BPM | ||
| Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
| La vie parisienne: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | F Major | 4 | 7B | 89 BPM | ||
| Albion, Op. 102: Polka | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | F Major | 1 | 7B | 86 BPM | ||
| Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Die Fledermaus: Mein Herr Marquis, Ein Mann Wie Sie | Rohangiz Yachmi-Caucig, Brigitte Karwautz, Bratislava City Chorus, Slovak Radio Symphony Orchestra, Andrea Martin, Josef Hopferwieser, Gabriele Fontana, John Dickie, Alfred Werner, Karl Haffner, Richard Genée, Johann Strauss II | G Minor | 3 | 6A | 131 BPM | ||
| Spanish Dance No. 1 (from La vida breve) | Manuel de Falla, Itzhak Perlman, David Garvey | A Major | 3 | 11B | 112 BPM | ||
| Wine, Women and Song - Waltz Op. 333 | Johann Strauss II, Hallé, Bryden Thomson | B♭ Major | 0 | 6B | 188 BPM | ||
| Il trovatore: Anvil Chorus 'Vedi le fosche notturne' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM |