"Midnight Petroleum" by Kyle Gabler had its release date on October 15, 2015. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kyle Gabler's "Human Resource Machine (Original Game Soundtrack)" album is number 12 out of 18. Based on our statistics, Midnight Petroleum's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Midnight Petroleum by Kyle Gabler to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fight Forever | Breshi | E♭ Minor | 3 | 2A | 120 BPM | ||
| The Machines Are Coming | Kyle Gabler | B Minor | 4 | 10A | 180 BPM | ||
| Sacred Lunar Chimes | Akuma Kira | D♭ Minor | 4 | 12A | 123 BPM | ||
| Running in Circles | Piotr Musiał | D Minor | 3 | 7A | 81 BPM | ||
| Marching Upstream, Pt. 2 | Sound Of Syndrome | F Minor | 3 | 4A | 137 BPM | ||
| Childhood's End Reprise | James Primate | F♯ Minor | 4 | 11A | 121 BPM | ||
| All Aboard the Glory Barge | Kyle Gabler & Jonny Trengrove | D♭ Major | 4 | 3B | 157 BPM | ||
| Claustrophobe | Cameron Paxton | F♯ Major | 1 | 2B | 120 BPM | ||
| One Man's Trash | Luis Humanoide | A♭ Minor | 6 | 1A | 141 BPM | ||
| Jizo | Isaac Nite | E Minor | 5 | 9A | 180 BPM | ||
| Route 77: The Haunted Highway | The 1999 | G Major | 4 | 9B | 74 BPM | ||
| 神の降臨 | HOYO-MiX | G Major | 4 | 9B | 74 BPM | ||
| The End Was Never The End | Tom Schley, The Blake Robinson Synthetic Orchestra | A♭ Major | 0 | 4B | 138 BPM | ||
| The Ark – Our Home | Robert Lundgren, Funcom Soundtrack | C Major | 6 | 8B | 108 BPM | ||
| ARBOREALITY 2.0 // AGED CRIB | Epoch | C Major | 1 | 8B | 110 BPM | ||
| Barotraumatropolis | Sound Of Syndrome, Tommi J. Vieno | F Minor | 3 | 4A | 137 BPM | ||
| The Wind Blows Through Empty Streets | Eddie Marianukroh | G Minor | 1 | 6A | 86 BPM | ||
| Dream Land (Day) | Harry Mack, Monomi Park | B♭ Major | 1 | 6B | 73 BPM | ||
| In the Machine | Thomas Brunet | B Minor | 1 | 10A | 77 BPM | ||
| Mom and Dad of Invention | Kyle Gabler | A♭ Minor | 6 | 1A | 125 BPM | ||
| Another Body | Emanuel Kallins, stephen Teller | F Major | 2 | 7B | 115 BPM | ||
| Nothing but Sand | Benjamin Young | B♭ Minor | 7 | 3A | 168 BPM | ||
| Into The War Seas (Original Video Game Soundtrack) | Senterea | D Major | 4 | 10B | 77 BPM | ||
| Ode to the Bridge Builder | Kyle Gabler | E Major | 4 | 12B | 163 BPM | ||
| Dreaming of Vengeance | Austin Wintory | D♭ Minor | 2 | 12A | 99 BPM |