Lawrence Brown's 'For All We Know' had a release date set for January 1, 1955. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Slide Trombone". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. For All We Know is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With For All We Know by Lawrence Brown having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empty Bar Reflections | Miles Tenor Glow | G Minor | 2 | 6A | 200 BPM | ||
| Chicago After Midnight | Jazz & Co. | G Minor | 2 | 6A | 200 BPM | ||
| Skeptic Rains After a Path | Marty Kacin | F Major | 2 | 7B | 104 BPM | ||
| Closing Thanks - 2024 Remastered Version | Not Applicable, Paul Robeson, Lawrence Brown | B Minor | 4 | 10A | 130 BPM | ||
| Symphony No. 9: Ode to Joy - 2024 Remastered Version | Ludwig van Beethoven, Paul Robeson, Lawrence Brown | B Major | 5 | 1B | 114 BPM | ||
| Ojos Cariñosos | Joe Farnsworth | G Minor | 3 | 6A | 96 BPM | ||
| Dejection Blues | The Milt Jackson Quartet | E♭ Major | 4 | 5B | 115 BPM | ||
| Coquette | Rose Murphy | C Major | 2 | 8B | 131 BPM | ||
| Soft You, a Word or Two | William Shakespeare, Paul Robeson, Lawrence Brown | B♭ Minor | 3 | 3A | 84 BPM | ||
| Blue Gardenia (with Joey Calderazzo, Eric Revis & Justin Faulkner) | Kurt Elling, Branford Marsalis, Joey Calderazzo, Eric Revis, Justin Faulkner | E♭ Major | 1 | 5B | 67 BPM | ||
| Gospelette | Nat Adderley | F Major | 2 | 7B | 62 BPM | ||
| Store Stealing | Lawrence Brown, Mike Curb | A♭ Major | 3 | 4B | 113 BPM | ||
| Brother, Can You Spare A Dime? | Sonny Criss | G Minor | 2 | 6A | 174 BPM | ||
| I Still Suits Me (Bonus Track) | Jerome Kern, Paul Robeson, Emanuel Balaban, Columbia Concert Orchestra | A♭ Major | 1 | 4B | 102 BPM | ||
| Nothing Matters | Amitai Mann, אביגיל איפרגן, Ilan Ziv | G Minor | 2 | 6A | 200 BPM | ||
| Good Queen Bess | Lawrence Brown, Johnny Hodges | B♭ Major | 7 | 6B | 142 BPM | ||
| Can't We Be Friends? | Illinois Jacquet | F Minor | 1 | 4A | 105 BPM | ||
| On The Sunny Side Of The Street - Alt 1 | Illinois Jacquet | C Major | 3 | 8B | 117 BPM | ||
| That's the Way It Is | Jimmy Giuffre | E♭ Major | 0 | 5B | 97 BPM | ||
| The Subtle Riff of Affection | Nu Braz, Glen Lucas, Atlantic Five Sax Department | G Minor | 2 | 6A | 83 BPM | ||
| Gotta Dance | Jimmy Giuffre | A♭ Minor | 0 | 1A | 90 BPM | ||
| Bluesology | The Monty Alexander Trio | B♭ Minor | 5 | 3A | 96 BPM | ||
| Stompinin K.C. | Jay McShann | C Major | 1 | 8B | 86 BPM | ||
| big lie | Tingl. | G Minor | 2 | 6A | 88 BPM | ||
| When I Grow Too Old to Dream | Daniel McBrearty | C Major | 1 | 8B | 125 BPM |