Johann Sebastian Bach, Jiwon Choi's ' "Adagio Ⅰ" was released on its scheduled release date, August 11, 2022. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Adagio Ⅰ's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in 최지원's "Music For Ballet Class Vol.3 By Jiwon Choi (최지원 발레클래스 음악3)" album is number 18 out of 40. On top of that, South Korea appears to be the country where this track was created. The popularity of Adagio Ⅰ is currently not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Adagio Ⅰ by Johann Sebastian Bach, Jiwon Choi to be Vivace (lively and fast) because the track has a tempo of 160 BPM, a half-time of 80BPM, and a double-time of 320 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Keyboard Sonata in G Major, Op. 17, No. 4, W. A10: I. Allegro | Johann Christian Bach, Alberto Nosè | G Major | 1 | 9B | 124 BPM | ||
| Christmas Oratorio, BWV 248/1: Bereite dich, Zion (Alto) | Johann Sebastian Bach, Christian Friedrich Henrici, Marianne Beate Kielland, Alfredo Bernardini, Barokkanerne | F Major | 2 | 7B | 81 BPM | ||
| Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 645 | Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | D Major | 0 | 10B | 79 BPM | ||
| Concerto for Oboe and Violin in C Minor, BWV 1060 | Lara St. John, Johann Sebastian Bach, Ariana Ghez, Eduardo Maturet, Simón Bolívar Youth Orchestra of Venezuela | C Minor | 2 | 5A | 177 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| [Suite in D Minor]: Allemande in D Minor, Gustafson 36 | Louis Couperin, Pavel Kolesnikov | F♯ Minor | 1 | 11A | 72 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Bocherini / Arr. Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
| Suite No. 3 in D Minor, HWV 428: III. Allemande | George Frideric Handel, Dina Ugorskaja | D Minor | 1 | 7A | 62 BPM | ||
| Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
| Concerto for Viola Solo, 2 Violins, Viola and B.C. in G Major, TWV51G:9: II. Allegro | Georg Philipp Telemann, Musica Alta Ripa | F♯ Major | 3 | 2B | 121 BPM | ||
| Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
| No. 2 in A Major. Allegro ma non troppo | Josef Mysliveček, Clare Hammond | A Major | 0 | 11B | 126 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
| Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
| Sonata in B Minor, K. 27 | Domenico Scarlatti, Lucas Debargue | B Minor | 1 | 10A | 141 BPM | ||
| Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 63 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: III. Andantino, dolce | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 1 | 9B | 173 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
| Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM |