Ruth Etting's 'Mean to me' had a release date set for 1931. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Ruth Etting, The Singing Queen Vol 1". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. Mean to me is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mean to me by Ruth Etting having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dancing in the Moonlight | Rudy Vallee and His Connecticut Yankees | G Major | 1 | 9B | 113 BPM | ||
| Me and the Man in the Moon | Frank Salvano & Ambassadors | E♭ Major | 2 | 5B | 128 BPM | ||
| How Could Red Riding Hood Be Good? (Recorded October 1926) | Dolly Kay | D♭ Minor | 2 | 12A | 113 BPM | ||
| You're the Cream in My Coffee | Ruth Etting | G Major | 1 | 9B | 113 BPM | ||
| It Was So Beautiful | Ruth Etting | D♭ Major | 2 | 3B | 95 BPM | ||
| Get Out and Get Under the Moon | Helen Kane | G Major | 1 | 9B | 113 BPM | ||
| Dream Train | Nat Shilkret | B♭ Minor | 2 | 3A | 142 BPM | ||
| Masquerade | Jack Hylton & His Orchestra | F Major | 2 | 7B | 178 BPM | ||
| I Double Dare You | Larry Clinton & His Orchestra | E Minor | 2 | 9A | 201 BPM | ||
| Ain't She Sweet | Ben Bernie, The Hotel Roosevelt Orchestra, Scrappy Lambert | G Major | 1 | 9B | 113 BPM | ||
| How About Me | Fred Waring | A♭ Major | 2 | 4B | 156 BPM | ||
| And I Still Do | Ina Ray Hutton and Her Melodears | F Major | 4 | 7B | 211 BPM | ||
| Love Letters In The Sand | Ambrose & His Orchestra | C Major | 1 | 8B | 76 BPM | ||
| Becha' I Getcha' | Kay Starr | A♭ Major | 1 | 4B | 136 BPM | ||
| Racing with the Moon | Vaughn Monroe | A Major | 3 | 11B | 138 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| Toot, Toot, Tootsie (Goodbye) | Fanny Brice | A Major | 5 | 11B | 124 BPM | ||
| I Can't Remember | Rudy Vallee and His Connecticut Yankees | G Major | 1 | 9B | 113 BPM | ||
| You Oughta Be in Pictures | Rudy Vallee | C Major | 4 | 8B | 176 BPM | ||
| This Is a Changing World | Noel Coward | A Major | 0 | 11B | 45 BPM | ||
| Easy Come, Easy Go | Ruth Etting | G Major | 1 | 9B | 113 BPM | ||
| Momma Goes Where Papa Goes or Papa Don't Go Out Tonight (Recorded December 1923) | Jane Green | F Major | 1 | 7B | 116 BPM | ||
| He May Be Your Dog But He's Wearing My Collar | Rosa Henderson | A Major | 2 | 11B | 121 BPM | ||
| Ain't We Got Fun | Fanny Brice | G Major | 2 | 9B | 67 BPM | ||
| Midnight, The Stars Aand You | Hal Kemp And His Orchestra, Bob Allen | F Major | 2 | 7B | 68 BPM |