Ravindra Jain's ' "Sammed Shikhar Vandana" was released on its scheduled release date, December 28, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ravindra Jain's "Jain Tirth Sammed Shikhar" album is number 3 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Sammed Shikhar Vandana is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Sammed Shikhar Vandana by Ravindra Jain to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Ram | Babul Supriyo | D Major | 6 | 10B | 95 BPM | ||
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Geeta Gyan 2 - Karke Iska Shok Baawre Vyarth Hi Nir Bahawe Ho | Ravindra Jain | F Minor | 3 | 4A | 99 BPM | ||
| Mai tore roop hazar | Rakesh Tiwari | A♭ Major | 5 | 4B | 115 BPM | ||
| Roothe Mitr Manane Chale Hain | Ravindra Jain, Satish Dehra, Chandrani Mukherjee | A Minor | 3 | 8A | 92 BPM | ||
| Shri Ram Ko Dekhkar Shri Janak Nandini | Pujya Prembhushanji Maharaj | E♭ Major | 7 | 5B | 130 BPM | ||
| Shree Ram Stuti | Nitin Mukesh | G Minor | 5 | 6A | 101 BPM | ||
| Teri Galiyon Ka Hoon Aashiq | Baba Rasika Pagal | E♭ Major | 6 | 5B | 101 BPM | ||
| Mera Aapki Kripa Se | Bhaiya Krishan Das Ji | B Major | 8 | 1B | 139 BPM | ||
| Hey Gopal Krishna karun Aarti teri | Devoleena Bhattacharjee | D♭ Major | 6 | 3B | 140 BPM | ||
| Sitaram Sitaram Sitaram Kahiye | Pujya Rajan Ji Official | F Minor | 6 | 4A | 76 BPM | ||
| Shiv Tandav Stotram | Pujya Bhaishree Rameshbhai Ojha | A♭ Major | 8 | 4B | 110 BPM | ||
| Rama Rama Ratte Ratte Biti Re Umariya | Maithili Thakur | B♭ Minor | 5 | 3A | 126 BPM | ||
| Vithal Vithal Vithala | Meenakshi Vadher | F♯ Minor | 7 | 11A | 126 BPM | ||
| Radhe Radhe Japo Chale Aayenge | Arun Nagpal | B Major | 8 | 1B | 130 BPM | ||
| Aarti Man Mein Bsakar Teri Murti | Aniruddhacharya Ji Maharaj | B♭ Minor | 7 | 3A | 139 BPM | ||
| Aarti Kunj Bihari Ki | Lakhbir Singh Lakkha | G Major | 7 | 9B | 134 BPM | ||
| Lagan Mandap Mein Padharo Kunwar Ji (From "Baal Kaand") | Shobha Joshi, Ravindra Jain | F Minor | 5 | 4A | 149 BPM | ||
| Man Lago Re Lago Guru Bhajani | Swapnil Bandolkar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Om Shiv Om Shiv | Hemant Chauhan | E Major | 4 | 12B | 175 BPM | ||
| Virah Vyatha Se Vyatit Dravit Ho Van Van Bhatke Ram | Mohammed Aziz | G Major | 2 | 9B | 73 BPM | ||
| Hamare Saath Jab Raghunath | Kumar Vishwas | D♭ Major | 4 | 3B | 94 BPM | ||
| Pichham Dharasu Mhara (Shringarik Aarti) | Gopal Bajaj | A♭ Major | 4 | 4B | 93 BPM | ||
| Pyara Pyara Chanda | Ranu Mukherjee | F♯ Major | 9 | 2B | 110 BPM | ||
| Moko Kahan Dhoondey Re Bande | Bhupinder Singh | E Major | 4 | 12B | 132 BPM |