"Concerto for Timpani & String Orchestra, Op. 37: II. Aria" by Ney Rosauro, Domenico Cagnacci, Orchestra Haydn di Bolzano e Trento, Roberto Molinelli had its release date on January 15, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Ney Rosauro: Orchestral Works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Italy. Concerto for Timpani & String Orchestra, Op. 37: II. Aria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Timpani & String Orchestra, Op. 37: II. Aria by Ney Rosauro, Domenico Cagnacci, Orchestra Haydn di Bolzano e Trento, Roberto Molinelli having a BPM of 57 with a half-time of 28 BPM and a double-time of 114 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pastorale | Igor Stravinsky, Branford Marsalis, Andrew Litton, English Chamber Orchestra | F♯ Major | 1 | 2B | 95 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| Dialogue for Trumpet & Double-Bass | Maya Badian, Mircea Badian | D Major | 2 | 10B | 165 BPM | ||
| Cappuccino Lovely: No. 1, Choco | Chin Cheng Lin | A♭ Major | 2 | 4B | 145 BPM | ||
| Glassworks: I. Opening (Arr. for Marimba by Christoph Sietzen) | Christoph Sietzen | A♭ Major | 0 | 4B | 68 BPM | ||
| Minipulsars, Pt. 1: Bing 5 | Tomasz Trzcinski | F Minor | 2 | 4A | 108 BPM | ||
| Vocalise | Anthony Mcgill | C Minor | 0 | 5A | 71 BPM | ||
| Dança | Eric Sammut, Jordi Griso, Akira Miyoshi, Ney Rosauro, Jules Massenet, Joan Marc Pino | G Major | 1 | 9B | 166 BPM | ||
| Found Myself In My Dreams | Fiona Ubong | F♯ Major | 0 | 2B | 67 BPM | ||
| Cuenta cuatro 42 | jose el primo | D♭ Major | 1 | 3B | 103 BPM | ||
| Clave 897 | asolo | B Major | 6 | 1B | 110 BPM | ||
| G Song (Arr. for Marimba & Vibraphone) | Terry Riley, Kasia Kadłubowska, Dominik Bukowski | G Minor | 1 | 6A | 115 BPM | ||
| La Muerte del Angel | Astor Piazzolla, Richard Tognetti, Australian Chamber Orchestra, James Crabb, Benjamin Martin | A Minor | 2 | 8A | 147 BPM | ||
| Kaleidoscope: III. Fresh Expectation | Chin Cheng Lin | C Minor | 3 | 5A | 72 BPM | ||
| Syrinx, L. 129 | Claude Debussy, Kuijken Ensemble | A♭ Major | 0 | 4B | 62 BPM | ||
| Katamiya | Anne-Julie Caron | G Minor | 7 | 6A | 107 BPM | ||
| Sonata 2 - Children's Game | Ney Rosauro | D♭ Major | 1 | 3B | 129 BPM | ||
| Ephemere Eternite | Sirjan | F Minor | 5 | 4A | 148 BPM | ||
| Land | Takatsugu Muramatsu, Alex Petcu | A Major | 0 | 11B | 80 BPM | ||
| Épice pistache | Bernard Andrès, Isabelle Perrin | G Major | 2 | 9B | 147 BPM | ||
| Laurita | Valentiana, Thierry Thibault, Jean François Durez, Richard Galliano | A Minor | 1 | 8A | 137 BPM | ||
| Oriental Suite: I - Song Of The Aisors | G. I. Gurdjieff, Thomas de Hartmann, Metropole Orkest, The Little Orchestra | F Minor | 0 | 4A | 112 BPM | ||
| Concerto for Marimba and Orchestra: III. Danca | Ney Rosauro, Hannes Schöggl, Manfred Tausch | C Major | 2 | 8B | 157 BPM | ||
| アリア 作品 7 | Jean-Michel Damase, 水谷上総, 大堀晴津子 | F♯ Major | 0 | 2B | 69 BPM | ||
| Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | A Major | 1 | 11B | 141 BPM |