"Sancti et Justi, a 8" by Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings had its release date on March 30, 2016. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Sancti et Justi, a 8's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivanco: Sancti et Justi (Motecta, 1610) by Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings. The song's track number on the album is #19 out of 19 tracks. Sancti et Justi, a 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sancti et Justi, a 8 by Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Sancti et Justi, a 8 being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Palestrina: Missa Sicut lilium - 04. Gloria | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | F♯ Minor | 1 | 11A | 82 BPM | ||
| Miserere mei Deus, C. 116: IV. Asperges me hyssopo | Louis-Nicolas Clérambault, La Néréide, Emmanuel Arakelian | F Major | 2 | 7B | 73 BPM | ||
| Missa Beata Maria Virgine in sabatho, a 4vv: Agnus Dei | Sebastián de Vivanco, Ensemble Plus Ultra, David Martin | E♭ Major | 0 | 5B | 81 BPM | ||
| Ricercare terzo | Girolamo Frescobaldi, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 131 BPM | ||
| The Mass: Confiteor | Patrick Cassidy, Laude, David Harris, Christoph Bull | E Minor | 2 | 9A | 75 BPM | ||
| Der Schwan | Diederik van der Laag, Sophia Chamber Choir, Oleksii Shamrytskyi | F Minor | 1 | 4A | 73 BPM | ||
| Missa Beata Maria Virgine in sabatho, a 4vv: Sanctus | Sebastián de Vivanco, Ensemble Plus Ultra, David Martin | A Minor | 1 | 8A | 83 BPM | ||
| Missa Pro Victoria: Sanctus - Benedictus | Tomás Luis de Victoria, Michael Noone, Ensemble Plus Ultra | G Major | 2 | 9B | 65 BPM | ||
| Graduale: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 1 | 5A | 135 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Missa Se la face ay pale: III. Gloria | Guillaume Dufay, Diabolus in Musica, Antoine Guerber | E Minor | 2 | 9A | 102 BPM | ||
| Messe de minuit pour Noël, H. 9: IV. Sanctus | Marc-Antoine Charpentier, Gaétan Jarry, Marguerite Louise, Romain Champion, Mathias Vidal, David Witczak | C Major | 3 | 8B | 70 BPM | ||
| Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
| Missa Assumpsit Iesus | Musica Reservata de Barcelona | E Minor | 1 | 9A | 75 BPM | ||
| Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
| Stella, Quam Viderant Magi | Piffaro | A♭ Major | 0 | 4B | 68 BPM | ||
| Ige herouvimy | Ars Poliphonica | B Major | 0 | 1B | 115 BPM | ||
| Missa quinis vocibus: Gloria | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A♭ Minor | 1 | 1A | 125 BPM | ||
| Tota pulchra es à 4 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón, Caroline Weynants, Lieselot De Wilde, Miguel Bernal, Matteo Bellotto | B♭ Major | 1 | 6B | 107 BPM | ||
| Now the Powers of Heaven | Sergei Glagolev, Cappella Romana, Vladimir Morosan | G Major | 2 | 9B | 66 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Circumdederunt me, a 5vv | Sebastián de Vivanco, Ensemble Plus Ultra, David Martin | A Minor | 1 | 8A | 83 BPM | ||
| Taedet animam meam | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
| Agní parthéne | Nectarios of Aegina, N. Sysoeva, Alexander Manotskov, Choir of the Church of Birth of St. John the Baptist, Kamenny Island, Olga Bondarevskaya | F Minor | 1 | 4A | 121 BPM |