"Circumdederunt me, a 5vv" by Sebastián de Vivanco, Ensemble Plus Ultra, David Martin had its release date on December 30, 2022. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 22 in CANTARA EL ALMA: Sebastián de Vivanco y la música sagrada en el Siglo de Oro by Sebastián de Vivanco, Ensemble Plus Ultra, Schola Antiqua, Ensemble La Danserye, David Martin. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Circumdederunt me, a 5vv is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Circumdederunt me, a 5vv by Sebastián de Vivanco, Ensemble Plus Ultra, David Martin is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa pro defunctis: IV. Offertory. Domine Jesu Christe | Sebastián de Vivanco, The Renaissance Singers, David Allinson | C Major | 0 | 8B | 138 BPM | ||
| Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 87 BPM | ||
| Parce mihi, Domine | Sebastián de Vivanco, The Renaissance Singers, David Allinson | C Major | 0 | 8B | 138 BPM | ||
| Da pacem domine | Franz Tunder, Capella De La Torre, Katharina Bauml | B♭ Major | 1 | 6B | 76 BPM | ||
| Nunc dimittis | Costanzo Festa, The Marian Consort, Rory McCleery | B♭ Minor | 1 | 3A | 79 BPM | ||
| Most Holy mother of God | Ars Poliphonica | C Major | 0 | 8B | 138 BPM | ||
| Guerrero: Ambulans Iesus | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 1 | 1A | 130 BPM | ||
| Missa pro defunctis: IIa. Kyrie eleison | Sebastián de Vivanco, The Renaissance Singers, David Allinson | C Major | 0 | 8B | 138 BPM | ||
| Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| Quam pulchra es / Secunda pars: Gutur tuum à 5 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | A Minor | 1 | 8A | 79 BPM | ||
| Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
| Missa pro defunctis: III. Tractus. Absolve, Domine | Sebastián de Vivanco, The Renaissance Singers, David Allinson | C Major | 0 | 8B | 138 BPM | ||
| O Taste and See | Cappella | E Minor | 1 | 9A | 128 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| Missa Sanctae Crucis, MH 56: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 1 | 5B | 139 BPM | ||
| Lamentations | Antoine Brumel, Tenebrae, Nigel Short | B♭ Major | 1 | 6B | 68 BPM | ||
| O Rex gloriae, a 8 | Sebastián de Vivanco, Capilla Flamenca, Oltremontano, Dirk Snellings | E Minor | 2 | 9A | 93 BPM | ||
| O quam suavis est, a 4 | Sebastián de Vivanco, Capilla Flamenca, Dirk Snellings | A♭ Major | 2 | 4B | 140 BPM | ||
| O clarissima mater | Hildegard von Bingen, Canty, William Taylor | A♭ Major | 0 | 4B | 78 BPM | ||
| Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
| Versa Est in Luctum (Live) | Setra Consort, Sebastián de Vivanco | B♭ Major | 1 | 6B | 80 BPM | ||
| Reges Tharsis | John Sheppard, Choir of Clare College, Cambridge, Graham Ross, Alexander Porteous | A Minor | 1 | 8A | 69 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| 3 Parts upon a Ground in F Major, Z. 731 | Henry Purcell, La Fenice, Jean Tubéry | E Major | 0 | 12B | 57 BPM |