"Perihelion" by Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj had its release date on March 14, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Perihelion only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Perihelion is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Perihelion by Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Welcome Coriolanus | Angus MacRae, National Theatre | G Major | 3 | 9B | 77 BPM | ||
| Return - Pt. 1 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Max Ruisi, Zara Hudson-Kozdoj | F♯ Major | 0 | 2B | 80 BPM | ||
| Last Letters - Goldmund Rework | Jim Perkins, Keith Kenniff, Goldmund | A Minor | 2 | 8A | 110 BPM | ||
| Nattvarden | Teodor Wolgers | E Major | 2 | 12B | 56 BPM | ||
| Rhea (Circle 53) | Robot Koch, Foam and Sand, Kate Fleur Young | F♯ Major | 0 | 2B | 63 BPM | ||
| Lost in Translation | Laure Chan, Curve Ensemble | G Minor | 2 | 6A | 138 BPM | ||
| Anima III | Olivia Belli | F♯ Major | 0 | 2B | 85 BPM | ||
| Afterlight | Kris Bowers | F♯ Major | 1 | 2B | 81 BPM | ||
| On Being | Max Cooper, Felix Gerbelot | F♯ Major | 3 | 2B | 66 BPM | ||
| Arboretum | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | D♭ Major | 3 | 3B | 184 BPM | ||
| A Necessary Escape (Part 2) | M83 | C Major | 3 | 8B | 84 BPM | ||
| Istria | Niklas Paschburg | F♯ Major | 1 | 2B | 85 BPM | ||
| Music For Disappearing Coastlines | Kyle Preston, Emanuel Pavon, Damian Bolotin | B♭ Major | 3 | 6B | 83 BPM | ||
| Time to Be | Roberto Cacciapaglia | A Minor | 0 | 8A | 138 BPM | ||
| gwyw | Gwenno Morgan | B♭ Minor | 8 | 3A | 128 BPM | ||
| She Remembers - From “The Leftovers” | Max Richter, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer | F Major | 3 | 7B | 132 BPM | ||
| Bonjour Le Desert | The Quiet Now | F Major | 0 | 7B | 189 BPM | ||
| The Runner | Vetle Nærø | D Major | 1 | 10B | 77 BPM | ||
| Re-mind | Anton Strandh | E♭ Minor | 0 | 2A | 67 BPM | ||
| Autumn Music 2 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 0 | 2B | 68 BPM | ||
| Never Learned | Sebastian Plano | E Minor | 2 | 9A | 77 BPM | ||
| Aerials (Secco) | Yehezkel Raz | E Minor | 1 | 9A | 136 BPM | ||
| A woman's shadow stands between us | Yehezkel Raz, Romi Kopelman | C Minor | 3 | 5A | 147 BPM | ||
| In Memory of a Dream | Ludovico Einaudi | D Major | 0 | 10B | 112 BPM | ||
| Radiohead: Like Spinning Plates | Anastasia Kobekina, Jean-Sélim Abdelmoula | D♭ Minor | 0 | 12A | 77 BPM |