Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act I Scene 1: Duet and Trio. The woods Are green… (Anne, Tom, Trulove)" was released on its scheduled release date, May 26, 2009. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act I Scene 1: Duet and Trio. The woods Are green… (Anne, Tom, Trulove) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Rake's Progress, Act I Scene 1: Duet and Trio. The woods Are green… (Anne, Tom, Trulove) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
| Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
| Viola Concerto: IIb. Trio | Magnus Lindberg, Lawrence Power, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 1 | 4A | 174 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): VI. Samuel Goldenberg and Schmuÿle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | D♭ Major | 1 | 3B | 113 BPM | ||
| Apollo (1947 revision): Tableau I: Prologue: The Birth of Apollo | London Symphony Orchestra, Robert Craft | G Major | 0 | 9B | 98 BPM | ||
| Manfred Symphony, Op. 58, TH.28: 3. Andante con moto | Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov | F Major | 1 | 7B | 114 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: II. Allegretto furioso | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | D♭ Major | 0 | 3B | 78 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | ||
| Respighi: Trittico botticelliano, P. 151: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| The Firebird, KC 10: VII. Danse infernale de tous les sujets de Kachtcheï | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | E Major | 3 | 12B | 149 BPM | ||
| Requiem Canticles: Libera me | Igor Stravinsky, Sally Burgess, Roderick Williams, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | B♭ Major | 3 | 6B | 136 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: II. Allegro – Meno mosso | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 0 | 3B | 117 BPM | ||
| Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
| Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
| Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160 | Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez | G Major | 1 | 9B | 84 BPM | ||
| Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
| Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
| Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
| Concerto in E-Flat Major, "Dumbarton Oaks": I. Tempo giusto | Igor Stravinsky, Orchestra of St. Luke's, Robert Craft | E♭ Major | 2 | 5B | 91 BPM | ||
| Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM |