"「焚き火」の主題による変装?曲" by 民謡, アルモ・サクソフォン・クァルテット, 中村均一(ソプラノ・サクソフォン), 遠藤朱実(アルト・サクソフォン), 松雪明(テナー・サクソフォン), 栃尾克樹(バリトン・サクソフォン) had its release date on December 24, 2011. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in ギフト サクソフォン四重奏のための小品集, so we believe that "「焚き火」の主題による変装?曲" is a single. In terms of popularity, 「焚き火」の主題による変装?曲 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「焚き火」の主題による変装?曲 by 民謡, アルモ・サクソフォン・クァルテット, 中村均一(ソプラノ・サクソフォン), 遠藤朱実(アルト・サクソフォン), 松雪明(テナー・サクソフォン), 栃尾克樹(バリトン・サクソフォン) is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sulle scale per terze | Maurizio Baudino | A Minor | 1 | 8A | 80 BPM | ||
| 8 Etudes: No. 9 in D minor | Norbert Kraft | D Minor | 3 | 7A | 128 BPM | ||
| タンゴ組曲より II. アンダンテ | Shin-ichi Fukuda, エドゥアルド・フェルナンデス | A Minor | 1 | 8A | 88 BPM | ||
| Swan and Maiden | Weinan Xia, Xianji Liu | G Major | 1 | 9B | 147 BPM | ||
| Arroyos de la Alhambra, I. Evocación | José María Huertas | E Minor | 2 | 9A | 97 BPM | ||
| Sonatina: III. Allegro | Federico Moreno Torroba, Franz Halász | A Major | 2 | 11B | 85 BPM | ||
| An Malvina | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| チターリの山の上に(ハンガリー民謡) | 民謡, Karoly Kovacs | A Minor | 2 | 8A | 83 BPM | ||
| Coming Back | Victor Villadangos | E Minor | 1 | 9A | 103 BPM | ||
| Melancolie | Jules Picard | D Minor | 1 | 7A | 72 BPM | ||
| Aria à deux No. 2 | Francis Kleynjans, Duo Bergerac | E Minor | 1 | 9A | 119 BPM | ||
| El Maestro: Pavan No. 1 | Philip Hemmo | G Major | 2 | 9B | 100 BPM | ||
| Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) | Antoine Forqueray, Raphaël Feuillâtre | E Major | 0 | 12B | 76 BPM | ||
| 26 Ricercares: No. 6, Ricercare del sesto tono per duro | Vincenzo Galilei, John Oeth | A Major | 1 | 11B | 79 BPM | ||
| Preludios Epigramáticos: No. 4, Rié, que todo rié. que todo es madre lev | Leo Brouwer, Gerard Cousins | A Major | 1 | 11B | 76 BPM | ||
| Suite No. 2 in A Minor (Orig. D Minor), BWV 1008: III. Courante | Michael Nicolella | A Minor | 3 | 8A | 96 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 5 in B Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Minor | 0 | 9A | 68 BPM | ||
| 夜がくる | 長野文憲 | E Major | 0 | 12B | 120 BPM | ||
| Guitar Sonata No. 1 in D Major: I. Allegro moderato | Celil Refik Kaya, Bokyung Byun | D Major | 1 | 10B | 122 BPM | ||
| Concerto Magna Carta: Cadenza | Xuefei Yang, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
| ガヴォット・ショーロ | Shin-ichi Fukuda | D Major | 1 | 10B | 94 BPM | ||
| Suite No. 1 in D Major (Orig. G Major), BWV 1007: II. Allemande | Michael Nicolella | D Major | 2 | 10B | 68 BPM | ||
| 鳥たちとの会話 | Masami Sato | E Major | 3 | 12B | 130 BPM | ||
| Saumell / Transc. Ortega: 51 Contradanzas: No. 24, La Nené | Manuel Saumell, Turibio Santos, Oscar Caceres | B♭ Major | 1 | 6B | 145 BPM | ||
| Estudio 8 (2 guitarras) | Antonio Chover Salom, Carlos Blanco Ruiz | D Major | 1 | 10B | 109 BPM |