Earl Thomas Conley's 'That Was a Close One' had a release date set for 1986. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Too Many Times". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, That Was a Close One is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With That Was a Close One by Earl Thomas Conley having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Memories to Burn | Gene Watson | B♭ Major | 6 | 6B | 152 BPM | ||
| A Bad Goodbye (with Wynonna) | Clint Black, Wynonna | B Major | 3 | 1B | 71 BPM | ||
| Changes of Love | Earl Thomas Conley | D Major | 3 | 10B | 74 BPM | ||
| Let Her Go | Mark Collie | D Major | 2 | 10B | 109 BPM | ||
| I'd Rather Miss You | Little Texas | E Major | 5 | 12B | 92 BPM | ||
| Who's Gonna Tell Her Goodbye | Earl Thomas Conley | F♯ Major | 3 | 2B | 128 BPM | ||
| Make It A Double | Gary Stewart | E Major | 5 | 12B | 118 BPM | ||
| Slow Burn | T.G. Sheppard | F Major | 4 | 7B | 105 BPM | ||
| I Miss You a Little | John Michael Montgomery | B Major | 3 | 1B | 76 BPM | ||
| Brotherly Love | Keith Whitley, Earl Thomas Conley | E Major | 4 | 12B | 113 BPM | ||
| Why Lady Why | Gary Morris | B♭ Major | 5 | 6B | 136 BPM | ||
| One Promise Too Late | Reba McEntire | C Major | 3 | 8B | 79 BPM | ||
| Somebody Lied | Ricky Van Shelton | D Major | 3 | 10B | 76 BPM | ||
| Learning As You Go | Rick Trevino | G Major | 7 | 9B | 110 BPM | ||
| You Don't Even Know Who I Am | Patty Loveless | D♭ Major | 2 | 3B | 206 BPM | ||
| You're The Reason God Made Oklahoma | David Frizzell, Shelly West | A Major | 3 | 11B | 98 BPM | ||
| Bring Back Your Love to Me | Earl Thomas Conley | F Major | 6 | 7B | 94 BPM | ||
| Tears of the Lonely | Mickey Gilley | B♭ Major | 3 | 6B | 84 BPM | ||
| If You're Gonna Do Me Wrong, Do It Right | Vern Gosdin | B♭ Major | 3 | 6B | 76 BPM | ||
| An Empty Glass | Gary Stewart | G Major | 3 | 9B | 89 BPM | ||
| Do You Believe Me Now | Vern Gosdin | A♭ Major | 2 | 4B | 72 BPM | ||
| Out Of Your Shoes | Lorrie Morgan | F Major | 2 | 7B | 102 BPM | ||
| Fighting For You | Pirates Of The Mississippi | D Major | 3 | 10B | 180 BPM | ||
| The Last One To Know | Reba McEntire | D Major | 3 | 10B | 148 BPM | ||
| Don't Send Me No Angels | Ricky Van Shelton | E Major | 3 | 12B | 90 BPM |