Arthur Duff, RTE Sinfonietta, Proinnsias O'Duinn's 'Echoes of Georgian Dublin: Minuet' had a release date set for June 13, 1996. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Echoes of Georgian Dublin: Minuet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Romantic Ireland". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. Echoes of Georgian Dublin: Minuet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Echoes of Georgian Dublin: Minuet by Arthur Duff, RTE Sinfonietta, Proinnsias O'Duinn having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Two Horns in F Major, RV 538: I. Allegro | Antonio Vivaldi, Café Zimmermann, Pablo Valetti, Alexandre Zanetta, Félix Polet | F Major | 0 | 7B | 114 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | F Major | 0 | 7B | 114 BPM | ||
| Tartini / Arr Thilde : Trumpet Concerto in D major : II Andante | Giuseppe Tartini, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 1 | 11B | 82 BPM | ||
| Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
| Arrival of the Queen of Sheba | Constanze Hochwartner | A Minor | 0 | 8A | 67 BPM | ||
| Overture (Suite) In D Major, TWV 55:D15: III. Loure | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 0 | 10B | 97 BPM | ||
| 8 Pieces for Flute and Organ: No. 4, Flute Piece (After W. Hine) | Richard Slater, Dominic Trumfio, Kelly Dobbs Mickus | F Major | 0 | 7B | 81 BPM | ||
| 8 Violin Sonatas (1681): Sonata No. 1 in A Major , C. 138 | Heinrich Ignaz Franz von Biber, John Holloway | A♭ Major | 3 | 4B | 128 BPM | ||
| Trio Sonata No. 10 in D Major: III. Adagio | Pietro Marchitelli, Ensemble Labirinto Armonico | E Minor | 1 | 9A | 60 BPM | ||
| Concerto for Oboe and Bassoon in G Major, RV 545: III. Allegro molto | Antonio Vivaldi, Christopher Hooker, Joanna Graham, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
| Skibbereen | Patrick Cassidy | E Minor | 1 | 9A | 84 BPM | ||
| Symphony in D Major: II. Andantino | Samuel Wesley, Matthias Bamert, London Mozart Players | G Minor | 0 | 6A | 82 BPM | ||
| Concerto for 2 Trumpets in C Major, RV 537: III. Allegro | Antonio Vivaldi, Niklas Eklund, Jeffrey Segal, Wasa Baroque Ensemble, Edward Tarr | G Major | 0 | 9B | 69 BPM | ||
| Macbeth: Music Before the Play - Birks of Invermay | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 80 BPM | ||
| Snow White: XVII. Miraculous Awakening | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Oboe Concerto in A Minor: I. Adagio | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 1 | 8A | 81 BPM | ||
| Symphony No. 24 in D Major, Hob.I:24: II. Adagio | Joseph Haydn, Northern Chamber Orchestra, Nicholas Ward | G Major | 0 | 9B | 80 BPM | ||
| Stanley: Trumpet Tune: Allegro marziale maestoso | Stanley, Helmut Wobisch, Antonio Janigro, I Solisti di Zagreb | D Major | 2 | 10B | 116 BPM | ||
| Motetti e sonate concertati, Op. 6: Sonata prima à 2 | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Oboe Sonata No. 3: I. Adagio | Francesco Geminiani, Ensemble Barocco Sans Souci | E♭ Minor | 1 | 2A | 129 BPM | ||
| Concerto in B-Flat Minor, Op. VIII No. 3: I. Allegro | Tomaso Albinoni, Combattimento Consort Amsterdam, Han De Vries | B♭ Major | 2 | 6B | 173 BPM | ||
| Verset in E Minor | Camille Saint-Saëns, Andrew-John Smith | A Minor | 3 | 8A | 94 BPM | ||
| Concerto grosso in D Major, Op. 6 No. 1: VI. Allegro | Arcangelo Corelli, Franz Liszt Chamber Orchestra, János Rolla | C Major | 0 | 8B | 112 BPM | ||
| Symphony No. 1 in E Major: II. Andantino | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | A Major | 0 | 11B | 112 BPM | ||
| Pallottino | Mikko Finneman | N/A | N/A | N/A | 0 BPM |