Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte by Richard Strauss, Jeffrey Tate, English Chamber Orchestra Song Details

"Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte" by Richard Strauss, Jeffrey Tate, English Chamber Orchestra had its release date on February 12, 2026. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Strauss: Der Bürger als Edelmann & Metamorphosen". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: VII. Auftritt des Cleonte by Richard Strauss, Jeffrey Tate, English Chamber Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 10%
Loudness: -27.314 dB
Acousticness: 96%
Danceability: 20%
Energy: 1%
Instrumentalness: 89%
Liveness: 8%
Loudness: 54%
Speechiness: 4%
Valence: 12%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturnes, CD 98: I. Nuages	Claude Debussy, Berliner Philharmoniker, Claudio Abbado	C Major	0	8B	83 BPM
Arabella, Op. 79, TrV 263: Das war sehr gut, Mandryka	Richard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus Stenz	A♭ Minor	1	1A	82 BPM
Armida: Overture	Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini	D Major	1	10B	81 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	80 BPM
Elektra: Iv. Ich kann nicht sitzen…	Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	F♯ Major	1	2B	88 BPM
The Firebird (Original Version): No. 20, Lullaby	Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons	E♭ Minor	0	2A	172 BPM
Requiem, K. 626 (Ed. Beyer/Levin): IIIb. Tuba mirum - Live	Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado	B♭ Major	1	6B	86 BPM
Vier letzte Lieder: 1. Frühling	Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann	D Major	0	10B	98 BPM
Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento	Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland	D Minor	0	7A	100 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Brahms: Double Concerto for Violin and Cello in A Minor, Op. 102: II. Andante	Johannes Brahms, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	D Major	1	10B	105 BPM
Elektra: Xix. Elektra! Elektra!	Hugo von Hofmannsthal, Richard Strauss, Gunnar Lundberg, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	D♭ Major	5	3B	118 BPM
Lyric Pieces, Book 5, Op. 54: Nocturne	Edvard Grieg, Alessio Bax	C Major	0	8B	72 BPM
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: 1. Andante sostenuto	Camille Saint-Saëns, Pascal Rogé, Royal Philharmonic Orchestra, Charles Dutoit	G Minor	1	6A	86 BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	E♭ Major	0	5B	81 BPM
Mozart - Serenade K361 "Gran Partita" for 13 wind instruments: Adagio	Wolfgang Amadeus Mozart, London Winds, Michael Collins	G Major	1	9B	135 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	F Major	3	7B	164 BPM
Symphony No. 1 in D Major: III. Feierlich und gemessen, ohne zu schleppen - Live	Gustav Mahler, Berliner Philharmoniker, Claudio Abbado	G Minor	0	6A	56 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester	E♭ Major	1	5B	110 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
Elektra: Ii. Allein! Weh, ganz allein	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	D♭ Major	5	3B	118 BPM
String Quartet No. 2 in D Major: II. Scherzo: Allegro	Alexander Borodin, Budapest Haydn Quartet	F Major	1	7B	107 BPM
Alphorn, o. Op.	Richard Strauss, Christiane Karg, Malcolm Martineau, Felix Klieser	D Major	3	10B	78 BPM