Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide)
Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie
Hasse, J.A.: Cleofide [Opera] (Kirby)
7:08 January 1, 1987
BPM
107
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide) by Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie Song Details

Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie's 'Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide)' had a release date set for January 1, 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Adolf Hasse, Emma Kirkby, William Christie, Cappella Coloniensis's "Hasse, J.A.: Cleofide [Opera] (Kirby)" album is number 2 out of 69. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide) by Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-26.968 dB
Acousticness
98%
Danceability
57%
Energy
4%
Instrumentalness
0%
Liveness
14%
Loudness
55%
Speechiness
10%
Valence
25%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Infirmata, vulnerata: IV. Cur, quaeso, crudelis by Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault NoallyInfirmata, vulnerata: IV. Cur, quaeso, crudelisAlessandro Scarlatti, Paul Figuier, Les Accents, Thibault NoallyE Minor29A68 BPM
Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: III. Presto by Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph RademannSinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: III. PrestoCarl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph RademannA♭ Major24B123 BPM
Overture No. 6 in B-Flat Major: III. Allegro by Francesco Maria Veracini, L'Arte dell' Arco, Federico GuglielmoOverture No. 6 in B-Flat Major: III. AllegroFrancesco Maria Veracini, L'Arte dell' Arco, Federico GuglielmoF♯ Major12B117 BPM
Requiem in C Major / Sequentia: Ve. Quaerens me by Johann Adolf Hasse, Colin Balzer, Dresdner Barockorchester, Hans-Christoph RademannRequiem in C Major / Sequentia: Ve. Quaerens meJohann Adolf Hasse, Colin Balzer, Dresdner Barockorchester, Hans-Christoph RademannB Minor410A80 BPM
Heinichen: Alma Redemptoris Mater, S. 22: II. Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti"Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oroD♭ Minor112A67 BPM
Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina by Antonio Vivaldi, Concerto Italiano, Rinaldo AlessandriniDomine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festinaAntonio Vivaldi, Concerto Italiano, Rinaldo AlessandriniG Major39B123 BPM
Israel in Egypt, HWV 54: Pt. I: Symphony by George Frideric Handel, Rosemary Joshua, Atsuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter DijkstraIsrael in Egypt, HWV 54: Pt. I: SymphonyGeorge Frideric Handel, Rosemary Joshua, Atsuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter DijkstraA Major011B111 BPM
López : Variaciones del Fandango español by Félix Máximo López, Andreas StaierLópez : Variaciones del Fandango españolFélix Máximo López, Andreas StaierE♭ Major25B124 BPM
Jam sole clarior: I. Jam sole clarior by Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault NoallyJam sole clarior: I. Jam sole clariorAlessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault NoallyB Major41B115 BPM
Handel: Theodora, HWV 68: Overture by George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oroHandel: Theodora, HWV 68: OvertureGeorge Frideric Handel, Maxim Emelyanychev, Il Pomo D'oroD♭ Major13B98 BPM
The Fairy Queen, Z. 629: Chaconne by Henry Purcell, Les Musiciens De Saint-Julien, François LazarevitchThe Fairy Queen, Z. 629: ChaconneHenry Purcell, Les Musiciens De Saint-Julien, François LazarevitchB Major31B65 BPM
Symphony in B-Flat Major: II. Andante by Franz Xaver Richter, L'Orfeo Barockorchester, Michi GaiggSymphony in B-Flat Major: II. AndanteFranz Xaver Richter, L'Orfeo Barockorchester, Michi GaiggD♭ Major33B146 BPM
Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille"Jean-Philippe Rameau, Teodor CurrentzisD♭ Major23B116 BPM
Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground by Henry Purcell, John Eliot Gardiner, English Baroque SoloistsPurcell: Timon of Athens, Z. 632: Curtain Tune on a GroundHenry Purcell, John Eliot Gardiner, English Baroque SoloistsA♭ Major04B93 BPM
Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Denn du willst kein Opfer haben by Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet CélesteTilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Denn du willst kein Opfer habenJohann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet CélesteD♭ Major33B104 BPM
As Pants the Hart, HWV 251b: VI. Why So Full of Grief, O My Soul? by George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Samuel BodenAs Pants the Hart, HWV 251b: VI. Why So Full of Grief, O My Soul?George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Samuel BodenA Major511B105 BPM
Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei by Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš KrálMissa Votiva in E Minor, ZWV 18: XIX. Agnus deiJan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš KrálE♭ Minor22A98 BPM
Symphony in D Minor, W. I/3: I. Allegro by Johann Christoph Friedrich Bach, Concerto KölnSymphony in D Minor, W. I/3: I. AllegroJohann Christoph Friedrich Bach, Concerto KölnE♭ Minor12A82 BPM
Solomon, HWV 67, Act I Scene 1: No. 2 Solomon, HWV 67, Act I Scene 1: No. 2 "Your harps and cymbals sound" (Chorus of Priests)George Frideric Handel, Daniel Reuss, RIAS Kammerchor, Akademie für Alte Musik BerlinA Major211B116 BPM
Herzlich Lieb hab' ich dich, O Herr, BuxWV 41: I. Herzlich Lieb hab' ich Dich by Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier FortinHerzlich Lieb hab' ich dich, O Herr, BuxWV 41: I. Herzlich Lieb hab' ich DichDietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier FortinC Major18B76 BPM
Requiem in C Major: VII. Sanctus by Johann Adolf Hasse, Johanna Winkel, Marie Luise Werneburg, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph RademannRequiem in C Major: VII. SanctusJohann Adolf Hasse, Johanna Winkel, Marie Luise Werneburg, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph RademannB Minor410A80 BPM
Stabat Mater: VII. Juxta crucem by Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicStabat Mater: VII. Juxta crucemAntonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene ClemencicE♭ Minor12A71 BPM
I. Auf Christenheit! begeh ein Freudenfest by Georg Philipp Telemann, Kölner Akademie, Michael Alexander WillensI. Auf Christenheit! begeh ein FreudenfestGeorg Philipp Telemann, Kölner Akademie, Michael Alexander WillensD♭ Major23B182 BPM
Sonata in C Minor, DürG 14: I. Largo by Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo DoniSonata in C Minor, DürG 14: I. LargoJohann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo DoniB Minor110A64 BPM
Trio Sonata in A Major, Op. 2, No. 3: I. Adagio by Johann Adolf Hasse, Laurence Dean, Christina Ahrens-Dean, Bernward LöhrTrio Sonata in A Major, Op. 2, No. 3: I. AdagioJohann Adolf Hasse, Laurence Dean, Christina Ahrens-Dean, Bernward LöhrD Major210B139 BPM
ISRC
US2TL0901440
Label
L-M Records/RCA Records