Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie's 'Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide)' had a release date set for January 1, 1987. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Adolf Hasse, Emma Kirkby, William Christie, Cappella Coloniensis's "Hasse, J.A.: Cleofide [Opera] (Kirby)" album is number 2 out of 69. On top of that, United States appears to be the country where this track was created. In terms of popularity, Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Cleofide, Act II Scene 9: Aria. Digli che io son sedele (Cleofide) by Johann Adolf Hasse, Emma Kirkby, Agnès Mellon, Randalk K. Wong, Derek Lee Ragin, Dominique Visse, David Cordier, Rheinische Kantorei, Cappella Coloniensis, William Christie to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Infirmata, vulnerata: IV. Cur, quaeso, crudelis | Alessandro Scarlatti, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: III. Presto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | A♭ Major | 2 | 4B | 123 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Requiem in C Major / Sequentia: Ve. Quaerens me | Johann Adolf Hasse, Colin Balzer, Dresdner Barockorchester, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
| Heinichen: Alma Redemptoris Mater, S. 22: II. "Tu quae genuisti" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 1 | 12A | 67 BPM | ||
| Domine ad adiuvandum me festina, RV 593: I. Domine ad adiuvandum me festina | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | G Major | 3 | 9B | 123 BPM | ||
| Israel in Egypt, HWV 54: Pt. I: Symphony | George Frideric Handel, Rosemary Joshua, Atsuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | A Major | 0 | 11B | 111 BPM | ||
| López : Variaciones del Fandango español | Félix Máximo López, Andreas Staier | E♭ Major | 2 | 5B | 124 BPM | ||
| Jam sole clarior: I. Jam sole clarior | Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally | B Major | 4 | 1B | 115 BPM | ||
| Handel: Theodora, HWV 68: Overture | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM | ||
| The Fairy Queen, Z. 629: Chaconne | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | B Major | 3 | 1B | 65 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Hippolyte et Aricie, RCT 43, Acte I, Scène I: Prélude - Air accompagné "Temple sacré, séjour tranquille" | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 116 BPM | ||
| Purcell: Timon of Athens, Z. 632: Curtain Tune on a Ground | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | A♭ Major | 0 | 4B | 93 BPM | ||
| Tilge, Höchster, meine Sünden, BWV 1083 (After Pergolesi's Stabat Mater): Denn du willst kein Opfer haben | Johann Sebastian Bach, Céline Scheen, Damien Guillon, Le Banquet Céleste | D♭ Major | 3 | 3B | 104 BPM | ||
| As Pants the Hart, HWV 251b: VI. Why So Full of Grief, O My Soul? | George Frideric Handel, Arcangelo, Jonathan Cohen, Deborah Cachet, Samuel Boden | A Major | 5 | 11B | 105 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Solomon, HWV 67, Act I Scene 1: No. 2 "Your harps and cymbals sound" (Chorus of Priests) | George Frideric Handel, Daniel Reuss, RIAS Kammerchor, Akademie für Alte Musik Berlin | A Major | 2 | 11B | 116 BPM | ||
| Herzlich Lieb hab' ich dich, O Herr, BuxWV 41: I. Herzlich Lieb hab' ich Dich | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Major | 1 | 8B | 76 BPM | ||
| Requiem in C Major: VII. Sanctus | Johann Adolf Hasse, Johanna Winkel, Marie Luise Werneburg, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
| Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| I. Auf Christenheit! begeh ein Freudenfest | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 182 BPM | ||
| Sonata in C Minor, DürG 14: I. Largo | Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo Doni | B Minor | 1 | 10A | 64 BPM | ||
| Trio Sonata in A Major, Op. 2, No. 3: I. Adagio | Johann Adolf Hasse, Laurence Dean, Christina Ahrens-Dean, Bernward Löhr | D Major | 2 | 10B | 139 BPM |