"He's Into Me" by Cliff Eidelman had its release date on March 10, 2009. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. He's Into Me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cliff Eidelman's "He's Just Not That Into You (Original Motion Picture Score)" album is number 11 out of 18. On top of that, United States appears to be the country where this track was created. Based on our statistics, He's Into Me's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of He's Into Me by Cliff Eidelman to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peligros | Armonias | A Major | 6 | 11B | 120 BPM | ||
| Star Trek Discovery End Credits - Season 2 Finale Version | Jeff Russo | C Minor | 5 | 5A | 79 BPM | ||
| Pieces of a Story | Trevor Jones | G Major | 0 | 9B | 70 BPM | ||
| Alien 3: Lento - From "Alien 3" | Elliot Goldenthal, Cliff Eidelman, Royal Scottish National Orchestra | A Major | 0 | 11B | 45 BPM | ||
| Life of Yesterday | Paolo MIllon, Neon Lilith, Tommy F Besson, Metasymphony | G Minor | 2 | 6A | 108 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| That’ll Do | Melbourne Symphony Orchestra, Nigel Westlake | C Major | 2 | 8B | 100 BPM | ||
| Star Trek Picard Main Title | Jeff Russo | D Major | 3 | 10B | 114 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Out Of Control / The Crash | Dennis McCarthy | C Major | 3 | 8B | 144 BPM | ||
| New Providence | Jerry Goldsmith, Ron Jones | F♯ Major | 2 | 2B | 69 BPM | ||
| The Villa | Joseph Vitarelli | A♭ Major | 1 | 4B | 71 BPM | ||
| It's My Mom | Cliff Eidelman | F♯ Major | 0 | 2B | 55 BPM | ||
| Midway Main Theme | Thomas Wander, Harald Kloser | G Major | 1 | 9B | 175 BPM | ||
| No Tears | Anne Dudley | B Major | 1 | 1B | 115 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| Eras Sinteticas | Ninfas De Ultramar | D Minor | 1 | 7A | 79 BPM | ||
| What About This? | Patrick Doyle | E♭ Major | 1 | 5B | 81 BPM | ||
| No More Seances | Cliff Eidelman | B Minor | 0 | 10A | 86 BPM | ||
| Romeo And Juliet: The Montagues And The Capulets | Sergei Prokofiev, Cliff Eidelman, Royal Scottish National Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| Star Trek Picard End Title | Jeff Russo | C Minor | 4 | 5A | 162 BPM | ||
| Act III: The Ascension | ARKTOS | D Minor | 0 | 7A | 75 BPM | ||
| The "It," Fifty Dollar Bills And A Stiff | Dave Grusin | A♭ Major | 2 | 4B | 110 BPM | ||
| The Untouchables - From "The Untouchables" Soundtrack | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Fratelli Chase - From "The Goonies" | David Newman, Varèse Sarabande Symphony Orchestra | D Minor | 3 | 7A | 80 BPM |