"Will Grows Up" by William Ross had its release date on January 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in William Ross's "My Dog Skip (Original Motion Picture Soundtrack)" album is number 14 out of 14. On top of that, United States appears to be the country where this track was created. Will Grows Up is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Will Grows Up by William Ross to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goodnight Dear Void | George Fenton | E Minor | 1 | 9A | 115 BPM | ||
| We Can Try | Theodore Shapiro | C Major | 0 | 8B | 84 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| Mom And Son Dinner | William Ross | C Minor | 0 | 5A | 113 BPM | ||
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| Draco - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 69 BPM | ||
| Abandon Ship | Roque Baños | F Minor | 3 | 4A | 92 BPM | ||
| Young Macy | William Ross | D Major | 0 | 10B | 139 BPM | ||
| Photo | Mark Mancina | F Major | 1 | 7B | 156 BPM | ||
| A Letter From Prison | Dario Marianelli | B♭ Major | 0 | 6B | 112 BPM | ||
| The First Kiss | George Fenton | D Major | 0 | 10B | 91 BPM | ||
| Opening Titles (From The Motion Picture "Love Actually") | Craig Armstrong | C Major | 0 | 8B | 118 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM | ||
| Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
| A Homeward Bound Overture - Score Version | Bruce Broughton | C Major | 1 | 8B | 110 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| The Last Farewell | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| Tear It Down | Mark Isham | C Major | 0 | 8B | 113 BPM | ||
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM | ||
| He Looked So Happy | Fernando Velázquez | C Minor | 1 | 5A | 77 BPM | ||
| Making Love | Peter Gregson | G Major | 0 | 9B | 167 BPM | ||
| Remembering Marilyn | Lang Lang, Conrad Pope | F Major | 0 | 7B | 73 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM |