"Birthday Cake" by Kim Planert had its release date on October 14, 2019. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Skid Row Marathon (Original Motion Picture Soundtrack)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Birthday Cake's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Birthday Cake by Kim Planert having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Waves | Mattia Cupelli | A♭ Major | 1 | 4B | 175 BPM | ||
| Guardian | James Everingham | A♭ Major | 4 | 4B | 155 BPM | ||
| Where I Belong | Dan Thiessen | F♯ Major | 4 | 2B | 120 BPM | ||
| Ark Ascending | Ursine Vulpine | G Minor | 4 | 6A | 59 BPM | ||
| A Compulsion | Thomas Farnon | F Major | 2 | 7B | 115 BPM | ||
| Transcendence | Thomas Farnon | E♭ Major | 0 | 5B | 173 BPM | ||
| One Last Moment Of You | Ursine Vulpine | A Minor | 4 | 8A | 107 BPM | ||
| Lost In Darkness And Distance | Amelia Warner | F Major | 3 | 7B | 106 BPM | ||
| Offering Light | Immediate | A♭ Minor | 4 | 1A | 100 BPM | ||
| Fragile Wonder | Paul Mottram | D Minor | 2 | 7A | 123 BPM | ||
| The Chosen - Main Theme From Revelation | Neal Acree | A Minor | 6 | 8A | 120 BPM | ||
| Song of the Man Who Never Gave Up | Eternal Eclipse | A♭ Major | 6 | 4B | 130 BPM | ||
| Heart Shaped Leaf | Ursine Vulpine | G Minor | 2 | 6A | 120 BPM | ||
| Sometimes That's Enough | Kim Planert | F Major | 1 | 7B | 82 BPM | ||
| Rest Upon the Edge | Trevor Kowalski | E Minor | 3 | 9A | 67 BPM | ||
| Shuffle | ABBOTT | D Minor | 1 | 7A | 118 BPM | ||
| Love like an Ocean | Austin Fray, Hannah Delynn | A Major | 2 | 11B | 77 BPM | ||
| Waking Up Arnold | Tales of the Forgotten, Bill Hemstapat, Dylan C. Jones | F Major | 1 | 7B | 148 BPM | ||
| The Lions Theme | Steven Price | D♭ Minor | 3 | 12A | 140 BPM | ||
| The Heart Wants | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | G Minor | 2 | 6A | 84 BPM | ||
| Collapsing Worlds | Glory Oath + Blood, Robert Leslie Bennett | F♯ Minor | 5 | 11A | 170 BPM | ||
| Mirage | Eternal Eclipse | D Minor | 3 | 7A | 53 BPM | ||
| Evenfall | David Chappell | F♯ Minor | 3 | 11A | 83 BPM | ||
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM | ||
| Riding At Dawn | Luke Richards | D Major | 4 | 10B | 90 BPM |