"Bereavement And Fulfillment" by Alfred Newman, MGM Studio Orchestra had its release date on November 21, 2017. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "How The West Was Won (Original Soundtrack)" album is number 3 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Bereavement And Fulfillment is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bereavement And Fulfillment by Alfred Newman, MGM Studio Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'll Take You Home Again Kathleen | Living Strings | G Major | 2 | 9B | 97 BPM | ||
| Respect of a New Day | Ernesto Vallini, Neon Lilith, Belinda J Crossward | D♭ Minor | 4 | 12A | 88 BPM | ||
| Sweet Rosie O'Grady | Living Strings | F Major | 3 | 7B | 80 BPM | ||
| Stagecoach - Main Theme | Richard Hageman | B♭ Major | 5 | 6B | 107 BPM | ||
| The Barn - Love Theme | Lucie Svehlová | F Major | 3 | 7B | 78 BPM | ||
| Extasiados | Armonias | B♭ Minor | 6 | 3A | 119 BPM | ||
| Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
| Escape (from "Exodus", 1960 Film Score) | Ernest Gold, Twentieth Century-Fox Studio Orchestra | B Major | 2 | 1B | 105 BPM | ||
| Force Ten from Navarone: Main Theme | Ron Goodwin, Rumon Gamba, BBC Philharmonic Orchestra | F Major | 7 | 7B | 118 BPM | ||
| Byron And Natalie (Love Theme From "The Winds Of War") | Bob Cobert | C Minor | 3 | 5A | 80 BPM | ||
| Tess | Philippe Sarde | A Minor | 2 | 8A | 129 BPM | ||
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| Brooklets & Heights | Danke Timi Briggs | B♭ Minor | 1 | 3A | 121 BPM | ||
| Visionnary | Mahwash Faroni, Moowash | B♭ Minor | 2 | 3A | 85 BPM | ||
| Pronunciandose En Silencio | Sirenas Celestiales | A Minor | 5 | 8A | 130 BPM | ||
| Thames Rhapsody - 60 Second Edit | Johnny Pearson | B Minor | 1 | 10A | 93 BPM | ||
| Lovesick | Adolph Deutsch, MGM Studio Orchestra | A♭ Major | 1 | 4B | 86 BPM | ||
| Laramie | Geoff Love | A Minor | 3 | 8A | 126 BPM | ||
| Flying Pussy | Bruce Broughton | C Major | 1 | 8B | 83 BPM | ||
| Esta existencia ciega | Gabriel Andrés Gallegos, Budapest Art Orchestra | G Major | 1 | 9B | 138 BPM | ||
| After the Dance [Captain Corelli's Mandolin - Original Motion Picture Soundtrack] | Stephen Warbeck, Orchestra, Nick Ingman | D Minor | 1 | 7A | 83 BPM | ||
| Crystal Breeze | Johnny Pearson | A♭ Major | 2 | 4B | 77 BPM | ||
| Home Again: End Credits | Leonard Rosenman | C Major | 3 | 8B | 121 BPM | ||
| Daybreak In Space | Bill Conti | D♭ Major | 2 | 3B | 172 BPM | ||
| The White House | Joseph Vitarelli | E♭ Major | 2 | 5B | 76 BPM |