"End Titles" by Joseph Loduca had its release date on January 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 21 out of 21 in Army Of Darkness (Original Motion Picture Soundtrack) by Joseph Loduca. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. End Titles is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of End Titles by Joseph Loduca is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Edwin and Isabelle Captured | John Debney | D♭ Minor | 3 | 12A | 59 BPM | ||
| Closer & Closer | David Shire | G Minor | 0 | 6A | 120 BPM | ||
| Predator Fight, Royce Runs | John Debney | D♭ Minor | 3 | 12A | 59 BPM | ||
| Miyagi Kicks Butt | Bill Conti | D Major | 1 | 10B | 112 BPM | ||
| Xena And The Big Bird | Joseph Loduca | E♭ Major | 5 | 5B | 154 BPM | ||
| The Descent, Pt. 2 | David Julyan | D♭ Minor | 2 | 12A | 80 BPM | ||
| What Boy, Ma'am? / Main Titles | Harry Manfredini | C Major | 2 | 8B | 80 BPM | ||
| Roar On | Joseph Loduca | B♭ Major | 3 | 6B | 80 BPM | ||
| Demon | Claudio Simonetti | B♭ Minor | 8 | 3A | 101 BPM | ||
| Hand And Shadow | George S. Clinton | F Major | 0 | 7B | 120 BPM | ||
| Canibales | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Arimetrio | EDO ZENITH | A Major | 2 | 11B | 70 BPM | ||
| Georgie, Meet Pennywise | Benjamin Wallfisch | F Major | 2 | 7B | 75 BPM | ||
| Hellbound Heart | Christopher Young | F Minor | 1 | 4A | 95 BPM | ||
| Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
| Main Title | Jerry Goldsmith | F Major | 1 | 7B | 118 BPM | ||
| End Credits: Final Suite - The Terminator | Brad Fiedel | E♭ Minor | 4 | 2A | 130 BPM | ||
| The Dominoes Fall | Dario Marianelli | A Minor | 4 | 8A | 120 BPM | ||
| Main Title | Andrew Powell, Philharmonia Orchestra | B♭ Major | 4 | 6B | 137 BPM | ||
| Creation of Tron | London Philharmonic Orchestra, Wendy Carlos | D Minor | 2 | 7A | 80 BPM | ||
| Thank You | Sara Baghirova, Sara Bag | B♭ Major | 1 | 6B | 80 BPM | ||
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| Trinity Infinity | Don Davis | E Minor | 4 | 9A | 132 BPM | ||
| Opening Titles / Blood Drips | David Julyan | D♭ Major | 1 | 3B | 116 BPM | ||
| Hellraiser | Christopher Young | A♭ Major | 1 | 4B | 89 BPM |