Dr. M. Balamuralikrishna, Raj-Koti, Veturi Sundararama Murthy's ' "Nee Tanayudu" was released on its scheduled release date, August 1, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Raj-Koti, Dr. M. Balamuralikrishna, P. Susheela, Veturi Sundararama Murthy's "Krishna Sangeetham" album is number 2 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Nee Tanayudu is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Nee Tanayudu by Dr. M. Balamuralikrishna, Raj-Koti, Veturi Sundararama Murthy to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sogasujooda - Raga: Kannadagowla; Tala: Rupakam | M. Balamuralikrishna | C Major | 4 | 8B | 177 BPM | ||
| Parama Mangala | Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak | F♯ Minor | 5 | 11A | 141 BPM | ||
| Naaranar Enum | Pithukuli Murugadas | C Minor | 5 | 5A | 115 BPM | ||
| Belaga Munjanedaaga | Kasturi Shankar | G Minor | 3 | 6A | 135 BPM | ||
| Kolloura Sridevi Mookambike | B.K. Sumitra | F♯ Minor | 5 | 11A | 85 BPM | ||
| Yenthentha Dooram | Jamuna Rani, Madhavapeddi Sathyam | A Minor | 5 | 8A | 86 BPM | ||
| Cheppaledhantanaka | V. Ramakrishna | F Major | 5 | 7B | 83 BPM | ||
| Gopiyare Gopiyare | L. R. Eswari | A Major | 7 | 11B | 172 BPM | ||
| Namami Vigneswara (Solkam) | V. Ramakrishna | A♭ Major | 4 | 4B | 75 BPM | ||
| Savi Nenapugalu Beku | Vani Jairam | D Minor | 3 | 7A | 90 BPM | ||
| Samarasam Ullavum | S. S. Govindarajan, A Maruthakasi | E Major | 3 | 12B | 75 BPM | ||
| Arul Jothi Deivam | Dr. M. Balamuralikrishna, Abhaya | E Major | 5 | 12B | 121 BPM | ||
| Madhuvolaka Bosey | V. Ramakrishna, P. Susheela | B Minor | 3 | 10A | 70 BPM | ||
| Endukaya Sambasiva | Anjali Prabhala, Sankara Narayanan | B♭ Major | 5 | 6B | 119 BPM | ||
| Mogga Moggalli | Rajkumar, Puttur Narasimha Nayak, Ramesh Chandra, K.S. Surekha, Sri Raksha | B Minor | 5 | 10A | 81 BPM | ||
| Raamanin Naamathai | M. Balamuralikrishna | G Major | 6 | 9B | 92 BPM | ||
| Sri Mahadeva | Madhu Balakrishnan | F Major | 5 | 7B | 97 BPM | ||
| Bhal Bhale Andhaalu | Ghantasala | F♯ Minor | 6 | 11A | 111 BPM | ||
| Chinnan Chiru Penn | Sirkazhi Govindarajan | C Minor | 2 | 5A | 93 BPM | ||
| Ennaiyanri Unnodu | Shankar - Ganesh, Vaali, Vani Jairam | C Major | 3 | 8B | 138 BPM | ||
| Govardhana Giridhaara | Bharadwaj, Unnikrishnan | A Minor | 5 | 8A | 142 BPM | ||
| Hari Namave Chanda / Dialogue : Namba Thai (Bhaktha Kumbara) - Bhaktha Kumbara / Soundtrack Version | Various Artists | E Minor | 7 | 9A | 109 BPM | ||
| Njanapazhat Hai | K. B. Sundarambal, Kannadasan | G Major | 3 | 9B | 123 BPM | ||
| Raaga Sudharasa | P. Leela, Jikki | A♭ Major | 3 | 4B | 69 BPM | ||
| Paluke Bangaramayena | Parupalli Sri Ranganath | D Minor | 5 | 7A | 117 BPM |