Julius Röntgen, Gregor Horsch, Netherlands Symphony Orchestra, David Porcelijn's 'Cello Concerto No. 2: I. Improvisation - Allegro non troppo' had a release date set for August 27, 2013. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Rontgen: Cello Concertos (Complete)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Cello Concerto No. 2: I. Improvisation - Allegro non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto No. 2: I. Improvisation - Allegro non troppo by Julius Röntgen, Gregor Horsch, Netherlands Symphony Orchestra, David Porcelijn having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Quartet in E-Flat Major, Op. 47: II. Scherzo (Molto vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A♭ Major | 1 | 4B | 82 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| Violin Sonata No. 1 in F Major, Op. 8: I. Allegro con brio | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 0 | 7A | 77 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Symphony No. 1, GMW 11: IIa. Kräftig bewegt, doch nicht zu schnel | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B Minor | 1 | 10A | 68 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| Swedish Tunes & Dances: No. 3, Andante | Amanda Rontgen-Maier, Julius Röntgen, Gregory Maytan, Ann-Sofi Klingberg | A Major | 1 | 11B | 142 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Joshua Bell, Steven Isserlis, Jeremy Denk | D Major | 2 | 10B | 156 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": I. Allegro | Joseph Haydn, Quatuor Arod | D Minor | 1 | 7A | 136 BPM | ||
| Piano Trio No. 2 In C Minor, Op. 66: I. Allegro energico e con fuoco | Felix Mendelssohn, Joshua Bell, Steven Isserlis, Jeremy Denk | C Minor | 2 | 5A | 90 BPM | ||
| Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) | Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra | F Minor | 0 | 4A | 122 BPM | ||
| II. Andante | Ludwig van Beethoven, Trio Zimmermann | D Major | 2 | 10B | 62 BPM | ||
| Beethoven: Violin Concerto, Op. 61 in D Major: II. Larghetto | Ludwig van Beethoven, Midori, Daniel Dodds, Lucerne Festival Strings | G Major | 0 | 9B | 92 BPM | ||
| Rêverie, CD 76 - Excerpt | Claude Debussy, Steven Osborne | G Major | 1 | 9B | 71 BPM | ||
| String Quartet in E-Flat Major, H-U 277: II. Allegretto | Fanny Mendelssohn, Takács Quartet | C Major | 2 | 8B | 149 BPM | ||
| The Seasons, Op. 37a: VII. July. Chant du faucheur. Allegro moderato con moto | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | F Major | 1 | 7B | 118 BPM | ||
| 6 Variations for Violin and Piano on "Hélas, j'ai perdu mon amant", K. 360: Var. 2 | Wolfgang Amadeus Mozart, Cédric Tiberghien, Alina Ibragimova | D Minor | 1 | 7A | 114 BPM | ||
| Dancing Lights | Halariaa | A Major | 1 | 11B | 81 BPM | ||
| Adagio and Allegro, Op. 70 (arr. for viola and piano) | Tabea Zimmermann, Robert Schumann, Hartmut Höll | A♭ Major | 1 | 4B | 84 BPM | ||
| Du bist wie eine Blume, Op. 25/24 | Nils Mönkemeyer | A♭ Major | 0 | 4B | 82 BPM | ||
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Suite, "Aus Jotunheim": I. Lento, ma un poco andante | Julius Röntgen, Maarten Karres, Peter Gaasterland, Ariane Karres | B Major | 0 | 1B | 86 BPM | ||
| Symphony No. 1, GMW 11: Ic. Sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| Liebesbotschaft (Schwanengesang) | Franz Schubert, Antoine Tamestit, Markus Hadulla | F♯ Minor | 0 | 11A | 89 BPM | ||
| Violin Sonata in C Major, K. 296: II. Andante sostenuto | Wolfgang Amadeus Mozart, Renaud Capuçon, Kit Armstrong | F Major | 0 | 7B | 177 BPM |