"Pièces de clavecin avec une méthode, Suite in E Minor, RCT 2 (Arr. M. Grizard for Guitar): V. Le rappel des oiseaux" by Jean-Philippe Rameau, Raphaël Feuillâtre had its release date on June 14, 2019. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Raphaël Feuillâtre's "Guitar Recital: Raphaël Feuillâtre" album is number 2 out of 11. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Pièces de clavecin avec une méthode, Suite in E Minor, RCT 2 (Arr. M. Grizard for Guitar): V. Le rappel des oiseaux is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pièces de clavecin avec une méthode, Suite in E Minor, RCT 2 (Arr. M. Grizard for Guitar): V. Le rappel des oiseaux by Jean-Philippe Rameau, Raphaël Feuillâtre to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Les Barricades mystérieuses | François Couperin, David Greilsammer | B♭ Major | 0 | 6B | 131 BPM | ||
| Organ Sonata No. 4, BWV 528: II. Andante [Adagio] (Transcr. by August Stradal) | Johann Sebastian Bach, Víkingur Ólafsson | B Minor | 0 | 10A | 71 BPM | ||
| Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
| Vater Unser (Version for Cello and Piano) | Arvo Pärt, Camille Thomas, Julien Brocal | A Minor | 0 | 8A | 63 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Keyboard Sonata in A Major, Wq. 54/6: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 181 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
| Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
| Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
| Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
| King Arthur, Z. 628: Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | E Minor | 0 | 9A | 92 BPM | ||
| Suite en la: Gavotte et six Doubles | Jean-Philippe Rameau, Natacha Kudritskaya | G Major | 2 | 9B | 197 BPM | ||
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
| Adagio pour violon et orgue | André Caplet, Chouchane Siranossian, François Saint-Yves | C Major | 1 | 8B | 53 BPM | ||
| Lieder ohne Worte, Op. 30: No. 1 in E-Flat Major. Andante espressivo, MWV U 103 | Felix Mendelssohn, Igor Levit | A♭ Major | 0 | 4B | 67 BPM | ||
| Nocturnes, Op. 27: No. 2 in D Flat Major. Lento sostenuto | Frédéric Chopin, Jan Lisiecki | D♭ Major | 0 | 3B | 68 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Arr. Kempff) | George Frideric Handel, Anne Queffélec | G Minor | 0 | 6A | 69 BPM | ||
| Mozart: Bassoon Concerto in B-Flat Major, K. 191: III. Rondo. Tempo di menuetto | Wolfgang Amadeus Mozart, Ton Koopman, Marc Vallon, Amsterdam Baroque Orchestra | A♭ Major | 1 | 4B | 116 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM |