"Helicopters Hang Over Downtown" by Kronos Quartet, Laurie Anderson had its release date on February 16, 2018. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Helicopters Hang Over Downtown's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Kronos Quartet, Laurie Anderson's "Landfall" album is number 26 out of 30. On top of that, United States appears to be the country where this track was created. The popularity of Helicopters Hang Over Downtown is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Helicopters Hang Over Downtown by Kronos Quartet, Laurie Anderson to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Confession | Danny Bensi, Saunder Jurriaans | D Minor | 0 | 7A | 113 BPM | ||
| Uleg-Khem | Traditional, Traditional-Tuva, Kronos Quartet | F Minor | 2 | 4A | 110 BPM | ||
| The Necklace | Henry Jackman, Dominic Lewis | D Minor | 1 | 7A | 65 BPM | ||
| There Will Be Blood | Jonny Greenwood | G Major | 2 | 9B | 109 BPM | ||
| Manchester Minimalist Piano and Strings | Lesley Barber | E♭ Major | 0 | 5B | 147 BPM | ||
| Stillness Of The Mind | Abel Korzeniowski | A Minor | 0 | 8A | 75 BPM | ||
| Damask Rose | Vangelis | D Minor | 0 | 7A | 121 BPM | ||
| Succession - End Title Theme - Piano and Cello Variation | Nicholas Britell | C Minor | 1 | 5A | 131 BPM | ||
| Warlord | Antonio Pinto | A Minor | 1 | 8A | 113 BPM | ||
| Wayward Sisters | Abel Korzeniowski | F♯ Minor | 4 | 11A | 98 BPM | ||
| Hello Night | Zoë Keating | A Minor | 0 | 8A | 85 BPM | ||
| Eir's Solitude | Jeremy Soule | A Minor | 0 | 8A | 60 BPM | ||
| MISHIMA/Opening | Philip Glass, Kronos Quartet, Michael Riesman | B♭ Major | 1 | 6B | 111 BPM | ||
| Deep Water | Rob Simonsen | A♭ Major | 2 | 4B | 67 BPM | ||
| Day One (Interstellar Theme) | Hans Zimmer | A Minor | 0 | 8A | 96 BPM | ||
| Path 17 (Before the Ending of Daylight) - Pt. 1 | Max Richter, Grace Davidson, Ben Russell, Yuki Numata, Caleb Burhans, Clarice Jensen, Brian Snow | D Minor | 0 | 7A | 69 BPM | ||
| The Trees | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 3 | 6A | 115 BPM | ||
| Don't Blow It | Cliff Martinez | A Minor | 2 | 8A | 180 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM | ||
| Exit Music (For a Film) | Ramin Djawadi | G Major | 2 | 9B | 128 BPM | ||
| Ingram Marshall (b. 1942): Fog Tropes | Ingram Marshall, John Adams, Orchestra of St. Luke's | D Major | 1 | 10B | 130 BPM | ||
| It's Happening Again - Instrumental | Agnes Obel | B♭ Major | 3 | 6B | 172 BPM | ||
| Niobe's Theme | Jeff Beal | E Minor | 5 | 9A | 117 BPM | ||
| Scene 1 | Michael Galasso | A Minor | 2 | 8A | 117 BPM |