"MISHIMA/Opening" by Philip Glass, Kronos Quartet, Michael Riesman had its release date on 1985. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. MISHIMA/Opening's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philip Glass, Kronos Quartet's "Mishima" album is number 1 out of 14. In terms of popularity, MISHIMA/Opening is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of MISHIMA/Opening by Philip Glass, Kronos Quartet, Michael Riesman to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Titles - Mindhunter | Jason Hill | F♯ Major | 1 | 2B | 76 BPM | ||
| Opening | jung jaeil | C Major | 3 | 8B | 141 BPM | ||
| 1962: body building | Philip Glass, Kronos Quartet, Michael Riesman | D Minor | 1 | 7A | 141 BPM | ||
| We'll live through the long, long days, and through the longnights (SAAB 900) | Eiko Ishibashi | D♭ Major | 5 | 3B | 114 BPM | ||
| You're Not Meant To Be Here | Andrew Hewitt | C Major | 0 | 8B | 76 BPM | ||
| Calm - Original Mix | Elara Lilara | A Major | 2 | 11B | 115 BPM | ||
| Conclusion - The Transplant | Nicholas Britell | A♭ Minor | 3 | 1A | 102 BPM | ||
| Sex Based Decision Making | Jon Brion | D Minor | 0 | 7A | 140 BPM | ||
| MGV (Musique à Grande Vitesse) 1993 (for the inauguration of the TGV North European line): 1st Region | Michael Nyman, Michael Nyman Band | G Minor | 2 | 6A | 140 BPM | ||
| Pruitt Igoe | Philip Glass | F Major | 1 | 7B | 120 BPM | ||
| Herman's Malt | Jeff Russo, Gustav Mahler, Adam Klemens, Fargo Television Orchestra | F Minor | 0 | 4A | 75 BPM | ||
| A Different Man - End Credits Suite | Umberto Smerilli | E♭ Major | 1 | 5B | 93 BPM | ||
| Lunar Rhapsody | Les Baxter | A Major | 2 | 11B | 115 BPM | ||
| In the Upper Room: Dance IX | Philip Glass, Michael Riesman | F Major | 6 | 7B | 132 BPM | ||
| The Double Theme - Version 1 | Andrew Hewitt | F♯ Major | 3 | 2B | 140 BPM | ||
| Fish Beach | Michael Nyman, Michael Nyman Band | B Minor | 2 | 10A | 100 BPM | ||
| Romance Apocalypse | Oneohtrix Point Never | G Major | 3 | 9B | 171 BPM | ||
| Glass: Company, Movement IV | Kronos Quartet | A Minor | 0 | 8A | 187 BPM | ||
| Fargo North Dakota | Brussells Philharmonic, Dirk Brossé | A Minor | 1 | 8A | 108 BPM | ||
| Andante/Reflection (End Title) | Max Richter | G Major | 0 | 9B | 156 BPM | ||
| The City Of Lost Children (La Cite Des Enfants Perdus): Suite From The City Of Lost Children - From "The City Of Lost Children" | Angelo Badalamenti | C Minor | 2 | 5A | 86 BPM | ||
| Das Rheingold: Prelude | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 68 BPM | ||
| Carrara | Daniel Blumberg | F Major | 2 | 7B | 77 BPM | ||
| Somewhere In The Night | Cho Young-Wuk | D♭ Major | 5 | 3B | 80 BPM | ||
| The Maze | David Motion, Sally Potter | C Major | 4 | 8B | 79 BPM |