Philip Glass, Michael Riesman's 'In the Upper Room: Dance IX' had a release date set for 1982. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philip Glass's "Glassworks - Expanded Edition" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, In the Upper Room: Dance IX's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of In the Upper Room: Dance IX by Philip Glass, Michael Riesman to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Étude 3 | Nico Muhly, Nadia Sirota | C Minor | 3 | 5A | 110 BPM | ||
| Sections 41-55 | Simeon ten Holt, Erik Hall | B♭ Minor | 4 | 3A | 170 BPM | ||
| Pretty In Plums | Shida Shahabi | A♭ Minor | 3 | 1A | 77 BPM | ||
| 3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
| String Quartet No. 3 "Mishima": String Quartet No. 3, "Mishima": V. Blood Oath | Philip Glass, Carducci String Quartet | E♭ Major | 2 | 5B | 101 BPM | ||
| Fire Temple | Bobby Krlic | F♯ Major | 3 | 2B | 81 BPM | ||
| i close the door upon myself. | Susumu Yokota | B♭ Major | 7 | 6B | 92 BPM | ||
| Lady In The Red Hat - 2004 Digital Remaster | Michael Nyman | E♭ Major | 6 | 5B | 152 BPM | ||
| Spiegel im Spiegel for Violin and Piano | Arvo Pärt, Vadim Gluzman, Angela Yoffe | B♭ Major | 0 | 6B | 93 BPM | ||
| Child's Footprint Duo | Ernst Reijseger | B Minor | 1 | 10A | 136 BPM | ||
| Das Rheingold: Vorspiel | Richard Wagner, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | D Major | 0 | 10B | 179 BPM | ||
| Schöne Hände | Cluster, Brian Eno | B Major | 2 | 1B | 105 BPM | ||
| Symphony No. 3, Op. 36: II. Lento e Largo - Tranquillissimo | Henryk Górecki, Dawn Upshaw, London Sinfonietta, David Zinman | B♭ Minor | 1 | 3A | 70 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
| Glassworks: III. Islands | Signal, Michael Riesman | B♭ Minor | 2 | 3A | 84 BPM | ||
| Icct Hedral - Phillip Glass Orchestration | Aphex Twin, Philip Glass | C Major | 2 | 8B | 115 BPM | ||
| Dance IX | Philip Glass | F Major | 4 | 7B | 132 BPM | ||
| Pastoral II - 2000 Remaster | Moondog | C Major | 2 | 8B | 140 BPM | ||
| Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Paavo Järvi, Estonian National Symphony Orchestra | F Minor | 0 | 4A | 154 BPM | ||
| Akhnaten: Act III, Scene 4: Epilogue | Philip Glass, Dennis Russell Davies | F Major | 1 | 7B | 72 BPM | ||
| French Catalogues (Variation On 'The Canon In D Major' By Johann Pachelbel) - Remastered 2004 | Brian Eno | D Major | 2 | 10B | 78 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| All the days I've missed you (ILAIJ I) | Colin Stetson | B♭ Major | 0 | 6B | 134 BPM |