"1962: body building" by Philip Glass, Kronos Quartet, Michael Riesman had its release date on 1985. With This song being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Philip Glass, Kronos Quartet's "Mishima" album is number 11 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, 1962: body building's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 1962: body building by Philip Glass, Kronos Quartet, Michael Riesman to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Слушая Баха (Земля) - Из к/ф "Солярис" | Eduard Artemyev | F Minor | 2 | 4A | 73 BPM | ||
| Miniature No. 13 | Jette Mogensen | A Minor | 3 | 8A | 138 BPM | ||
| Ghosts of Things to Come | Clint Mansell, Kronos Quartet | D Major | 0 | 10B | 84 BPM | ||
| Proven Lands | Jonny Greenwood | G Major | 5 | 9B | 154 BPM | ||
| Under Siege | Warren Ellis | D Minor | 1 | 7A | 181 BPM | ||
| Is That What Everybody Wants | Cliff Martinez | A Minor | 2 | 8A | 144 BPM | ||
| The Haunted Ocean 5 | Max Richter | G Major | 0 | 9B | 156 BPM | ||
| We Shall Find our Hidden Hours | Laura Cannell | F Major | 0 | 7B | 173 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| The Sea Ranch Songs: No. 8, Elements I | Aleksandra Vrebalov, Kronos Quartet | A Minor | 0 | 8A | 178 BPM | ||
| Ghosts-Falling | Clint Mansell, Kronos Quartet | A Major | 2 | 11B | 176 BPM | ||
| Construction | Daniel Blumberg | A♭ Minor | 3 | 1A | 106 BPM | ||
| The Lonely Cello | Season Of Glass | G Major | 2 | 9B | 153 BPM | ||
| Opening Credits | Philip Glass | C Minor | 1 | 5A | 172 BPM | ||
| The Harvest - From "Days of Heaven" | The City of Prague Philharmonic Orchestra | E Major | 2 | 12B | 80 BPM | ||
| Moscow Is in the Telephone | Christian Erik Frederickson, Jason Bingham Noble, Rachel Grimes, Rachel's | E Minor | 2 | 9A | 61 BPM | ||
| Lumen | Syrduk | E♭ Major | 8 | 5B | 158 BPM | ||
| Vois | Xenevera | A♭ Major | 1 | 4B | 151 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Fratres | Arvo Pärt, Kronos Quartet | C Minor | 0 | 5A | 133 BPM | ||
| In the Upper Room: Dance VIII | Philip Glass, Philip Glass Ensemble, Michael Riesman | F Minor | 2 | 4A | 168 BPM | ||
| Rider on the Train | Francis Lai Orchestra, Francis Lai | F Major | 0 | 7B | 173 BPM | ||
| Music for 18 Musicians: Section VI | Steve Reich | F♯ Minor | 7 | 11A | 102 BPM | ||
| Walk To The Capitol | Mica Levi | A♭ Major | 2 | 4B | 140 BPM | ||
| First Kiss | Daniel Blumberg | C Minor | 1 | 5A | 83 BPM |