Various World Reknowed Orchestras And Conductors's 'Polovtsian Dances' had a release date set for January 1, 2006. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Polovtsian Dances's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Polovtsian Dances is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Polovtsian Dances by Various World Reknowed Orchestras And Conductors is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| "The Trout" from Quintet for Strings and Piano, D 667, Op. 114 | Ensemble Piacevole | D Major | 1 | 10B | 121 BPM | ||
| Anna's Theme | Nigel Clarke, Michael Csányi-Wills, Bulgarian Symphony Orchestra | C Major | 1 | 8B | 122 BPM | ||
| 舞台 - 2025 Live | Tokyo Philharmonic Orchestra | D Major | 5 | 10B | 145 BPM | ||
| Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Quintet In A Major Trout - Adante - Tema con varianzioni (Excerpt) | The Jane Austen Era | D Major | 0 | 10B | 112 BPM | ||
| Swan Lake - Prelude | London Philharmonic Orchestra | B Minor | 0 | 10A | 85 BPM | ||
| The Two Pigeons Act 1 | André Messager, John Lanchbery, Royal Ballet Sinfonia, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
| Cannibalize The Future | Danke Timi Briggs | B♭ Major | 3 | 6B | 80 BPM | ||
| Raymonda, Act II: Grand pas Espagnol | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | E♭ Major | 3 | 5B | 95 BPM | ||
| La Cinquantaine | Jean Gabriel-Marie, Philharmonica Orchestra, Sir Charles Groves | A Minor | 1 | 8A | 80 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
| The Gypsy Baron: Overture | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | G Major | 2 | 9B | 70 BPM | ||
| Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
| Spanish Dance (Swan Lake) | Various World Reknowed Orchestras And Conductors | F Major | 3 | 7B | 132 BPM | ||
| Act II, ii, 7 Grand pas Classique: Opening Mazurka (Minkus) | Ludwig Minkus, Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè | A Major | 2 | 11B | 68 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Torero | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | F Major | 3 | 7B | 97 BPM | ||
| La fille mal gardée / Act 1: 10. Thomas And Alain | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 133 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| Flicker of Hope | Veridia | E Major | 3 | 12B | 77 BPM | ||
| 5 Lieder, Op. 49 (arr. for orchestra): 5 Lieder, Op. 49: No. 4. Wiegenlied (Lullaby) (arr. for orchestra) | Various Artists | F Major | 0 | 7B | 79 BPM | ||
| Moonlight Sonata | Various World Reknowed Orchestras And Conductors | B Minor | 0 | 10A | 69 BPM | ||
| Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM |