"Tea for Two" by Barry Harris Trio had its release date on 2001. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 9 in the song's album "The Last Time I Saw Paris". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. Based on our statistics, Tea for Two's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tea for Two by Barry Harris Trio having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Body And Soul | Barry Harris | B♭ Minor | 1 | 3A | 82 BPM | ||
| This Time The Dream's On Me | Chet Baker Quartet | F Major | 4 | 7B | 123 BPM | ||
| How Deep Is The Ocean | Kenny Barron Trio | F Minor | 5 | 4A | 174 BPM | ||
| No problem | Duke Jordan | G Minor | 2 | 6A | 141 BPM | ||
| Embraceable You - 1990 Remaster | Bud Powell Trio | D Minor | 0 | 7A | 97 BPM | ||
| All The Things You Are | Chet Baker Quartet, Russ Freeman | A♭ Major | 4 | 4B | 137 BPM | ||
| My Conception | Sonny Clark | E♭ Major | 1 | 5B | 63 BPM | ||
| My Funny Valentine | Art Farmer & Benny Golson Jazztet | C Minor | 0 | 5A | 115 BPM | ||
| I Can't Give You Anything But Love | Red Garland, Paul Chambers, Art Taylor | F Major | 2 | 7B | 93 BPM | ||
| Love Roots | Mary Lou Williams | C Major | 3 | 8B | 75 BPM | ||
| Just As Though You Were Here | Barry Harris Trio | E♭ Major | 1 | 5B | 100 BPM | ||
| These Foolish Things (Remind Me Of You) | Barry Harris Trio | C Minor | 2 | 5A | 122 BPM | ||
| Big P | Jimmy Heath | D Minor | 4 | 7A | 94 BPM | ||
| All Through The Night | Bill Charlap, Kenny Washington, Peter Washington | A♭ Minor | 4 | 1A | 100 BPM | ||
| Body And Soul | Dave Brubeck Trio | D♭ Major | 4 | 3B | 128 BPM | ||
| All Or Nothing At All | John Coltrane Quartet | G Major | 4 | 9B | 92 BPM | ||
| You'd Be So Nice to Come Home To - 1990 Remaster | Bud Powell Trio | D Minor | 1 | 7A | 102 BPM | ||
| Blood Count | Stan Getz Quartet | D Major | 1 | 10B | 109 BPM | ||
| There's No One But You | Barry Harris Trio | E♭ Major | 1 | 5B | 106 BPM | ||
| Don't Blame Me | Sonny Criss | C Major | 3 | 8B | 141 BPM | ||
| Relaxin' At Camarillo | Tommy Flanagan Trio | C Major | 3 | 8B | 141 BPM | ||
| Will You Still Be Mine? | Red Garland Trio | C Minor | 4 | 5A | 153 BPM | ||
| Let's Fall In Love | Dave Brubeck Trio | C Major | 3 | 8B | 97 BPM | ||
| Just In Time | Bud Shank, Bob Cooper | C Minor | 3 | 5A | 89 BPM | ||
| I'm Beginning to See the Light | Phineas Newborn Jr. | A♭ Major | 3 | 4B | 150 BPM |