Bill Charlap, Kenny Washington, Peter Washington's ' "All Through The Night" was released on its scheduled release date, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 9 in All Through The Night by Bill Charlap, Peter Washington, Kenny Washington. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, All Through The Night is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of All Through The Night by Bill Charlap, Kenny Washington, Peter Washington is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Morning Brews | Breakfast Jazz | C Major | 0 | 8B | 80 BPM | ||
| Alice in Wonderland | David Hazeltine Trio | C Major | 4 | 8B | 99 BPM | ||
| P.S. I Love You | Richard Wyands, Peter Washington, Kenny Washington | B♭ Minor | 4 | 3A | 90 BPM | ||
| Oh, Lady, Be Good!, Pt. 1 | Tommy Flanagan, Peter Washington, Lewis Nash | B♭ Major | 1 | 6B | 70 BPM | ||
| Lover Come Back To Me - Short Cut - theme | Arkadia Short Cuts, Billy Taylor | A♭ Major | 3 | 4B | 133 BPM | ||
| Fulfillment | Orión Natera | D Major | 5 | 10B | 135 BPM | ||
| Put On A Happy Face | Bill Charlap, Kenny Washington, Peter Washington | A♭ Major | 4 | 4B | 123 BPM | ||
| There Will Never Be Another You | Billy Taylor Trio | E♭ Major | 4 | 5B | 115 BPM | ||
| Old Devil Moon | Bobby Timmons Trio | G Minor | 4 | 6A | 114 BPM | ||
| This Heart of Mine | The Modern Jazz Trio | F Major | 4 | 7B | 98 BPM | ||
| ENERGY FLOW | The Andy Ezrin Trio | A Minor | 2 | 8A | 107 BPM | ||
| Sweet Georgie Fame | Ivan Paduart | B♭ Major | 2 | 6B | 102 BPM | ||
| Just Friends | Phil Woods, Franco D'Andrea | D Minor | 3 | 7A | 82 BPM | ||
| Power Lines | raLoki | G Minor | 5 | 6A | 131 BPM | ||
| You've Got a Friend (In Op) | Open Studio | D Minor | 2 | 7A | 73 BPM | ||
| Old Soul Sax | Dolce Vita | G Major | 3 | 9B | 129 BPM | ||
| Queen of Hearts | Hank Jones Trio | A♭ Major | 1 | 4B | 146 BPM | ||
| Ornithology | Barry Harris Trio | D Major | 5 | 10B | 113 BPM | ||
| イット・クッド・ハプン・トゥ・ユー | Chick Corea Trio | C Major | 5 | 8B | 106 BPM | ||
| Spinning Vinyl | SwisUp | G Minor | 5 | 6A | 131 BPM | ||
| Dance with Dinasaur | Yoshiko Kishino | D♭ Major | 2 | 3B | 109 BPM | ||
| On Green Dolphin Street | Brian Lynch, Bill Charlap, Dwayne Burno, Joe Farnsworth | D♭ Major | 4 | 3B | 136 BPM | ||
| Melancholy of Rita | Antonio Faraò, Stéphane Belmondo | G Minor | 5 | 6A | 131 BPM | ||
| Skylark | Bill Charlap | F Major | 0 | 7B | 70 BPM | ||
| Stay Right With It | Barry Harris Trio | E♭ Major | 3 | 5B | 96 BPM |