"Blue Moon Blue" by Miki Imai had its release date on July 1, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tamio Okuda, Mayo Okamoto, Miki Imai's "IMAI MIKI from 1986" album is number 8 out of 30. On top of that, Japan appears to be the country where this track was created. Blue Moon Blue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Blue Moon Blue by Miki Imai to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 少しは私に愛を下さい | Kei Ogura | F♯ Minor | 1 | 11A | 80 BPM | ||
| 次の夢 | Keizo Nakanishi | A♭ Major | 5 | 4B | 94 BPM | ||
| 伝説の少女 | Alisa Mizuki | A♭ Major | 10 | 4B | 133 BPM | ||
| 語りつぐ愛に | Takao Kisugi | A Minor | 7 | 8A | 119 BPM | ||
| 4月の雨 | DREAMS COME TRUE | B Minor | 3 | 10A | 112 BPM | ||
| Rain | Senri Oe | A Major | 8 | 11B | 96 BPM | ||
| いのちの歌 | Midori Karashima | B♭ Major | 1 | 6B | 74 BPM | ||
| グッドラック・アンド・グッドバイ | Yuki Okazaki | G Major | 3 | 9B | 76 BPM | ||
| SCENE - Remix ver. | ASKA | F Major | 4 | 7B | 119 BPM | ||
| 二雙の舟 | Machiko Watanabe | C Major | 3 | 8B | 130 BPM | ||
| あの日のように - Remastered 2022 | Eikichi Yazawa | D♭ Major | 6 | 3B | 99 BPM | ||
| 奇跡~大きな愛のように~ | Masashi Sada | C Major | 4 | 8B | 137 BPM | ||
| 三日月ストレッチ 腰ほぐし編 | Kyoko Koizumi | B Minor | 1 | 10A | 95 BPM | ||
| 時はかげろう | Carlos Toshiki And Omega Tribe | G Major | 6 | 9B | 98 BPM | ||
| サラダの国から来た娘 | Iruka | E Major | 3 | 12B | 101 BPM | ||
| なごり雪 | Kosetsu Minami | F Major | 4 | 7B | 134 BPM | ||
| 今は、このまま | Billy Ban Ban | F♯ Major | 3 | 2B | 108 BPM | ||
| 君ならできる | おかゆ | E Major | 8 | 12B | 94 BPM | ||
| OUR SONG | Shinji Harada | C Major | 2 | 8B | 70 BPM | ||
| あなたの海になりたい | Mariko | A♭ Major | 5 | 4B | 140 BPM | ||
| あなたがここにいてほしい | Chitose Hajime | E♭ Major | 4 | 5B | 136 BPM | ||
| アメリカン・フィーリング | CIRCUS | A♭ Major | 7 | 4B | 128 BPM | ||
| Blue Moon Blue | Miki Imai | F♯ Minor | 1 | 11A | 89 BPM | ||
| 色・ホワイトブレンド | 中山美穂 | G Major | 6 | 9B | 124 BPM | ||
| ガラス越しに消えた夏 | Yoshiyuki Osawa | A♭ Major | 4 | 4B | 98 BPM |