"Fragments from a Woman's Diary: XV. Children's Games" by Ruth Schönthal, Gary Steigerwalt had its release date on January 1, 2003. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 45 in the song's album "Schonthal, R.: Piano Music". In this album, this song's track order is #41. Furthermore, we believe that the track originated from United States. Fragments from a Woman's Diary: XV. Children's Games is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fragments from a Woman's Diary: XV. Children's Games by Ruth Schönthal, Gary Steigerwalt having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | F Minor | 2 | 4A | 118 BPM | ||
| 12 Studies for Piano, Op. 46: II. Light Staccato Chords | York Bowen, Nicolas Namoradze | F Major | 0 | 7B | 83 BPM | ||
| Sinfonietta, Op. 79: I. Intrada. Festivo, tempo di marcia | Boris Papandopulo, I Solisti di Zagreb, Sreten Krstic | A♭ Major | 2 | 4B | 114 BPM | ||
| Ciudadano Sombra: III. - Live Concert | Ramón Paus, Pablo Martos, Yuval Gotlibovich, Alberto Martos | D Major | 1 | 10B | 129 BPM | ||
| Xàfec de Llum I Tenebres: IV. Iridiscente | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 2 | 4A | 118 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
| Clarinet Sonata No. 2, Op. 120 No. 2: I. Allegro amabile | Johannes Brahms, Nicola Boud, Anthony Romaniuk | A♭ Major | 1 | 4B | 134 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | F Minor | 2 | 4A | 118 BPM | ||
| Les Danses de Ravel (After Le Tombeau de Couperin): I. Prélude | Franck Tortiller, Quatuor Debussy | E Minor | 2 | 9A | 75 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | F Minor | 2 | 4A | 118 BPM | ||
| Piano Trio No. 2, Op. 67: 1. Andante - Moderato - Poco più mosso | Dmitri Shostakovich, Vladimir Ashkenazy, Zsolt-Tihamér Visontay, Mats Lidström | C Minor | 2 | 5A | 125 BPM | ||
| Poem for String Quartet | Rebecca Clarke, Barbican Quartet | F Minor | 2 | 4A | 118 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Songs of Love: IV. Then Time Stopped (Version for Saxophone Quartet) | Pēteris Vasks, Signum Saxophone Quartet | F♯ Minor | 0 | 11A | 77 BPM | ||
| Reflection, Op. 31a | Oliver Knussen, Tamsin Waley-Cohen, Huw Watkins | F Minor | 2 | 4A | 118 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | F Minor | 2 | 4A | 118 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | F Minor | 2 | 4A | 118 BPM | ||
| Cage: Bacchanale | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
| Baal Shem: II. Nigun | Ernest Bloch, Sol Gabetta | G Minor | 2 | 6A | 139 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 7. Rewards | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | F Minor | 2 | 4A | 118 BPM | ||
| Drei Liebeslieder: Endziel | Margaret Astrup, Joan Forsythe | A Minor | 2 | 8A | 168 BPM | ||
| String Octet in C Major, Op. 7 (Version for String Orchestra): Même temps | George Enescu, Tabea Zimmermann, Ensemble Resonanz | B Major | 0 | 1B | 72 BPM |