"A.B." by Nathan Johnson had its release date on November 25, 2022. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. A.B.'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nathan Johnson's "Glass Onion: A Knives Out Mystery (Original Motion Picture Soundtrack)" album is number 20 out of 27. Based on our statistics, A.B.'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A.B. by Nathan Johnson to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pursuing Battle | Anne Nikitin | D Minor | 4 | 7A | 132 BPM | ||
| Take Play Win Part 2 | Volker Bertelmann | C Major | 7 | 8B | 120 BPM | ||
| The Threads Intertwine | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| The Cruel Delight | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| The Update | Kevin Kiner | G Major | 0 | 9B | 61 BPM | ||
| Follow me into Death | Kyle Dixon & Michael Stein | G Major | 2 | 9B | 106 BPM | ||
| Musso | Kyle Dixon & Michael Stein | G Major | 2 | 9B | 106 BPM | ||
| My Life Is on Inisherin | Carter Burwell | F♯ Minor | 0 | 11A | 70 BPM | ||
| Lab Partners | Rob Simonsen | G Minor | 1 | 6A | 137 BPM | ||
| Enter Paris | Max Aruj, Alfie Godfrey | B Major | 1 | 1B | 102 BPM | ||
| Touch of Norma (feat. The Swingles & Tomy Temerson) | Jeff Toyne, The Swingles, Tomy Temerson | D Minor | 4 | 7A | 132 BPM | ||
| Eno Cordova's Theme | Stephen Barton, Gordy Haab | D Minor | 1 | 7A | 85 BPM | ||
| African Rundown (From "Casino Royale" Soundtrack) | David Arnold | E Minor | 7 | 9A | 120 BPM | ||
| God's Country | Edward Farmer, Martin Phipps | G Major | 3 | 9B | 78 BPM | ||
| Suspicious Mind (Including End Credits) | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Ready or Not Overture | Brian Tyler | D Minor | 2 | 7A | 135 BPM | ||
| Morocco Pursuit | Joe Kraemer | D Minor | 6 | 7A | 80 BPM | ||
| The Hunter | Sarah Schachner | F Minor | 6 | 4A | 106 BPM | ||
| Go Ahead, Run For It | Heitor Pereira | B Minor | 8 | 10A | 74 BPM | ||
| Snoop | Nathan Johnson | B Major | 0 | 1B | 39 BPM | ||
| Submarine Rises | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| The End of Macbeth | Carter Burwell | D Major | 2 | 10B | 80 BPM | ||
| Like Glass (The Face of the Girl) | The Cinematic Underground, Nathan Johnson | G Major | 5 | 9B | 69 BPM | ||
| Mindreaders | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| Suborbital | Volker Bertelmann | C Minor | 1 | 5A | 125 BPM |