"The End of Macbeth" by Carter Burwell had its release date on January 14, 2022. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "The Tragedy of Macbeth (Soundtrack from the Apple Original Film)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. The End of Macbeth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The End of Macbeth by Carter Burwell having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Piano Gift | Stephen Warbeck | C Minor | 0 | 5A | 59 BPM | ||
| Apprenticed | Carter Burwell | D Major | 0 | 10B | 179 BPM | ||
| The Last Farewell | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| Memories Of Edward | The Twilight Saga: New Moon | D Minor | 0 | 7A | 78 BPM | ||
| Pan's Labyrinth Lullaby | Javier Navarrete | C Minor | 1 | 5A | 71 BPM | ||
| The Dreams that Stuff is Made Of | Jóhann Jóhannsson | C Minor | 1 | 5A | 58 BPM | ||
| Streets of Paris | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | C Major | 3 | 8B | 65 BPM | ||
| The Beach | Nick Cave & Warren Ellis | E♭ Major | 1 | 5B | 53 BPM | ||
| Warsaw Zoo, 1939 | Harry Gregson-Williams | G Major | 2 | 9B | 108 BPM | ||
| The Great Secret | Patrick Doyle | A Minor | 0 | 8A | 88 BPM | ||
| Memories (Someone We'll Never Know) | Clint Mansell | A Minor | 0 | 8A | 73 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| Clara | Amelia Warner | A Minor | 1 | 8A | 73 BPM | ||
| Palimpsest | Will Bates | A♭ Major | 0 | 4B | 68 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Extremely Loud and Incredibly Close | Alexandre Desplat, Jean-Yves Thibaudet | A Minor | 0 | 8A | 79 BPM | ||
| Darnley's Visit | Max Richter | G Major | 2 | 9B | 71 BPM | ||
| On the Nature of Daylight (From "Arrival") | Max Richter, Maksym Rzemiński, Radom Chamber Orchestra, Dawid Runtz | B♭ Minor | 0 | 3A | 71 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Evacuating London | Harry Gregson-Williams | E Minor | 2 | 9A | 152 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| The Crossroads | Anne Dudley, Chris Garrick, The Chamber Orchestra Of London, London Chamber Orchestra | D Minor | 1 | 7A | 78 BPM | ||
| Suzy | Guy Farley | D Minor | 1 | 7A | 120 BPM |