"Evacuating London" by Harry Gregson-Williams had its release date on December 13, 2005. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe (Original Motion Picture Soundtrack)". In this album, this song's track order is #2. Based on our statistics, Evacuating London's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Evacuating London by Harry Gregson-Williams having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Finale - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 64 BPM | ||
| Forbidden Love | Abel Korzeniowski | B Minor | 3 | 10A | 129 BPM | ||
| The Door in the Air - Score | Harry Gregson-Williams | C Major | 1 | 8B | 79 BPM | ||
| Sea Horses | Christian Henson | E Minor | 1 | 9A | 85 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Did I Make The Most Of Loving You | Mary-Jess | F Major | 3 | 7B | 84 BPM | ||
| A Game of Croquet | Jóhann Jóhannsson | E Minor | 0 | 9A | 118 BPM | ||
| Wonders Of An Ancient Glory - Dragonheart/Soundtrack Version | Randy Edelman | C Major | 2 | 8B | 59 BPM | ||
| Share My Life With Him | Mychael Danna, Jeff Danna | B♭ Major | 1 | 6B | 79 BPM | ||
| Tree Perspective | Ari Posner, Amin Bhatia | G Major | 1 | 9B | 98 BPM | ||
| The White Witch | Harry Gregson-Williams | A♭ Major | 1 | 4B | 79 BPM | ||
| Love Waltz | Adam Balazs | G Major | 1 | 9B | 77 BPM | ||
| The Escape | J Scott Rakozy, Hogwarts Legacy | E Minor | 1 | 9A | 148 BPM | ||
| Chase Walking Nantucket | Roque Baños | D Minor | 6 | 7A | 120 BPM | ||
| See You Tomorrow | John Powell | G Major | 6 | 9B | 123 BPM | ||
| Destiny | Harry Gregson-Williams | F Major | 1 | 7B | 81 BPM | ||
| Contemplation | chuck e. myers 'sea', Hogwarts Legacy | G Major | 3 | 9B | 132 BPM | ||
| Future King | Rupert Gregson-Williams, Lorne Balfe | B♭ Minor | 2 | 3A | 120 BPM | ||
| To a Future with an End | Rob Simonsen | E♭ Major | 4 | 5B | 139 BPM | ||
| Nara (Theme to Cold Case) | E.S. Posthumus | A Minor | 4 | 8A | 150 BPM | ||
| The Council of Elrond (feat. "Aniron") [Theme for Aragorn and Arwen] | Howard Shore, Enya | D♭ Major | 1 | 3B | 84 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| In Search Of The Grail | Trevor Jones | D Minor | 1 | 7A | 57 BPM | ||
| Perfect Day (from "Peter Rabbit and Friends") | Miriam Stockley, London Music Works, Nick Squires | D Minor | 2 | 7A | 173 BPM | ||
| Feast of Starlight | Howard Shore | D Major | 0 | 10B | 135 BPM |