"Tricky Old Devil" by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie had its release date on August 26, 2008. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. In terms of popularity, Tricky Old Devil is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tricky Old Devil by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloria, FP 177: III. Domine Deus | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge, Susan Gritton | C Minor | 2 | 5A | 128 BPM | ||
| Puccini: Tosca, Act 2: "Nel pozzo... nel giardino" (Scarpia, Sciarrone, Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Dario Caselli, Giuseppe Di Stefano, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 111 BPM | ||
| Un ballo in maschera, Act I: Zitti, l'incanto non dèssi turbare - Rallegrati ornai | Giuseppe Verdi, Elena Obraztsova, Plácido Domingo, Luigi De Corato, Gianfranco Manganotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: Jesu, Maria - I am near to death | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM | ||
| Tosca, Act I: Mario! Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Jonathan Tetelman, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | D Major | 0 | 10B | 73 BPM | ||
| La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
| La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Sylvia Stahlman, Margreta Elkins, Nicola Monti, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Richard Bonynge | E♭ Major | 3 | 5B | 82 BPM | ||
| Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Imple superna gratia | Gustav Mahler, Leonard Bernstein, John Mitchinson, Vladimir Ruzdjak, Gwenyth Annear, Anna Reynolds, Erna Spoorenberger, Gwyneth Jones, Donald McIntyre, Hans Vollenweider, Leeds Festival Chorus, London Symphony Chorus, London Symphony Orchestra, Norma Procter | A♭ Major | 3 | 4B | 78 BPM | ||
| Rigoletto, Act I: Gualtier Maldè... Nome di lui sì amato | Giuseppe Verdi, Nadine Sierra, Tomas Pavilionis, Tadas Girininkas, Andrius Apšega, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | D♭ Major | 1 | 3B | 164 BPM | ||
| Simon Boccanegra / Prologue: "A te l'estremo addio" - "Il lacerato spirito" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
| Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
| Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus, Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi | A Major | 1 | 11B | 83 BPM | ||
| H.M.S. Pinafore / Act 1: A maiden fair to see | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 81 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| Chansons pour les oiseaux: No. 1, La colombe poignardée | Louis Beydts, Julie Roset, Susan Manoff | D Major | 0 | 10B | 73 BPM | ||
| Die Fledermaus, Act II: Entr'acte und Chor. Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Grieg: Peer Gynt, Op. 23, Act 4: Solveig's Song. "Kanske vil der gå både Vinter og Vår" (Solveig) | Edvard Grieg, Elsa Dreisig, Massimo Zanetti, Orchestra del Teatro Carlo Felice di Genova | D Major | 0 | 10B | 73 BPM | ||
| Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 0 | 10B | 73 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Promise Me, Tommy | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | D Minor | 3 | 7A | 88 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Intelligence, Act One: Scene 1, The Van Lew Mansion | Jake Heggie, Houston Grand Opera, Kwamé Ryan, Janai Brugger, J'nai Bridges | B♭ Minor | 4 | 3A | 135 BPM |