- BPM
- 88
- Key
- D Minor
- Camelot
- 7A
Promise Me, Tommy by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie Song Details
The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie's 'Promise Me, Tommy' had a release date set for August 26, 2008. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Promise Me, Tommy is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Promise Me, Tommy by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
Music Key
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.294 dB
- Acousticness
- 92%
- Danceability
- 50%
- Energy
- 29%
- Instrumentalness
- 0%
- Liveness
- 22%
- Loudness
- 75%
- Speechiness
- 8%
- Valence
- 34%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | |
 | H.M.S. Pinafore / Act 1: A maiden fair to see | Arthur Sullivan, The D'Oyly Carte Opera Company, Thomas Round, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 81 BPM | |
 | La traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Juan Pons, Sondra Kelly, Julien Robbins, Metropolitan Opera Orchestra, James Levine | D♭ Major | 1 | 3B | 92 BPM | |
 | Macbeth / Act III: Fuggi, regal fantasima | Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 0 | 10B | 98 BPM | |
 | Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | |
 | The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | |
 | Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | |
 | Szymanowski: Love Songs of Hafiz, Op. 26: No. 7, Drinking Song | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM | |
 | Suor Angelica: Laudata Maria! E sempre sia! | Giacomo Puccini, Elizabeth Gale, Hannah Francis, Della Jones, Dame Joan Sutherland, Isobel Buchanan, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 114 BPM | |
 | Granados / Transcr. Bakish: 12 Tonadillas en estilo antiguo: No. 6, El mirar de la maja | Enrique Granados, Liat Cohen, Charles Castronovo | A Minor | 1 | 8A | 87 BPM | |
 | Das Lied von der Erde: VId. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | C Major | 1 | 8B | 81 BPM | |
 | The Dream of Gerontius, Op. 38, Pt. 1: IVa. Sanctus fortis, Sanctus Deus | Edward Elgar, David Butt Philip, The Orchestra Of Opera North, Martyn Brabbins | C Major | 1 | 8B | 81 BPM | |
 | Peter and the Wolf, Op. 67: XI. Peter Catches the Wolf | Wiener Opernorchester | C Major | 1 | 8B | 92 BPM | |
 | Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | |
 | A Step up the Ladder | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | G Minor | 2 | 6A | 110 BPM | |
 | Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus, Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi | A Major | 1 | 11B | 83 BPM | |
 | Puccini: Turandot, Act 2: "O mondo, pieno di pazzi innamorati!" (Coro, Ping, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 0 | 6B | 86 BPM | |
 | Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | |
 | Gianni Schicchi: Ecco la cappellina! | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 1 | 7B | 88 BPM | |
 | Threni: De Elegia Tertia: II. Sensus spei | Igor Stravinsky, Cappella Amsterdam, Noord Nederlands Orkest, Daniel Reuss, Berit Norbakken, Marianne Beate Kielland, Guy Cutting, Thomas Walker, Tobias Berndt | C Major | 1 | 8B | 81 BPM | |
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | |
 | Bolivar, Op. 236: Berceuse | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | B Minor | 2 | 10A | 84 BPM | |
| Tricky Old Devil | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | G Minor | 0 | 6A | 104 BPM | |
 | Il Tabarro, Act I: "O Luigi! Luigi!" | Giacomo Puccini, Jonas Kaufmann, Asmik Grigorian, Asher Fisch, Orchestra del Teatro Comunale di Bologna | A Major | 2 | 11B | 84 BPM | |
 | Bellini: I puritani: "Suon d'araldi" (Riccardo, Giorgio, Coro, Elvira, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |
- ISRC
- USB960886606
- Label
- L-M Records/RCA Records