- BPM
- 110
- Key
- G Minor
- Camelot
- 6A
A Step up the Ladder by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie Song Details
The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie's 'A Step up the Ladder' had a release date set for August 26, 2008. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 49 in the song's album "The Grapes of Wrath (World Premiere Recording)". In this album, this song's track order is #38. Furthermore, we believe that the track originated from United States. In terms of popularity, A Step up the Ladder is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With A Step up the Ladder by The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.864 dB
- Acousticness
- 98%
- Danceability
- 39%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 13%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Cenerentola: Acto II: "Nacqui All'affanno e al Pianto" - "Non Più Mesta Accanto al Fuoco" | Victoria de los Ángeles | E Major | 2 | 12B | 114 BPM | |
 | Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | |
 | Falstaff / Act 2: "Gaie comari di Windsor!" | Giuseppe Verdi, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 92 BPM | |
 | Salome, Op. 54 / Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!" | Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | |
 | Simon Boccanegra / Act 1: (Preludio) | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 1 | 10B | 65 BPM | |
 | Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | |
 | Un ballo in maschera / Act 1: "Volta la terrea" | Giuseppe Verdi, Helen Donath, Luciano Pavarotti, Pier Francesco Poli, Sherrill Milnes, Leonardo Monreale, Nicolas Christou, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM | |
 | Rossini: Petite messe solennelle, Part 2: Credo - XIV. Agnus Dei (Contralto, Chorus) | Gioachino Rossini, Antonio Pappano, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 0 | 8A | 76 BPM | |
 | The Day the Rain Began | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | A♭ Major | 2 | 4B | 80 BPM | |
 | Offenbach: Les Brigands, Act 1: No. 1a, Choeur des brigands, "Le cor dans la montagne" (Domino, Barbavano, Choeur) | Jacques Offenbach, John Eliot Gardiner - Colette Alliot Lugaz - Choeurs De L'Opéra National De Lyon - Thierry Dran - François Le Roux - Orch Nat Opéra De Lyon - Tibere Raffalli - Michel Trempont, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | |
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
| Inspection Station | The Minnesota Opera Company, Ricky Ian Gordon, Michael Korie | C Minor | 3 | 5A | 114 BPM | |
 | Wagner: Tannhäuser, Act 1: "Frau Holda kam aus dem Berg hervor" (Hirt) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Dorothea Röschmann, Staatskapelle Berlin | E Minor | 0 | 9A | 103 BPM | |
 | Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | |
 | Puccini : La bohème : Act 2 "Quando me'n vo soletta" [Musetta, Marcello, Alcindoro, Mimì] | Giacomo Puccini, James Conlon, Orchestre National De France | E Major | 1 | 12B | 87 BPM | |
 | Petite messe solennelle: Quoniam | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Alexander Vinogradov | A Major | 2 | 11B | 124 BPM | |
 | Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | |
 | Simon Boccanegra: Act I: Vieni a mirar la cerula (Amelia, Gabriele, Ancella, Pietro) | Giuseppe Verdi, Marina Rebeka, Francesco Meli, Silvia Cialli, Andrea Pellegrini, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | D♭ Minor | 1 | 12A | 138 BPM | |
 | Puccini: Turandot, Act 2: "Olà, Pang! Olà, Pong!" (Ping, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Major | 1 | 6B | 79 BPM | |
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | |
| Rossini: Petite messe solennelle: III. Credo, 2. Crucifixus (Soprano). Andantino sostenuto | Gioachino Rossini, Antonio Pappano | D Minor | 0 | 7A | 88 BPM | |
 | Rusalka, Op. 114 / Act 2: Rusalko, znas mne, znas? | Antonín Dvořák, Franz Hawlata, Renée Fleming, Czech Philharmonic, Sir Charles Mackerras | A♭ Major | 2 | 4B | 80 BPM | |
 | La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM |
- ISRC
- USB960886638
- Label
- L-M Records/RCA Records