"Homages: III. Lullaby" by Cheryl Frances-Hoad, Ivana Gavrić had its release date on June 30, 2017. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Stolen Rhythm: Works by Cheryl Frances-Hoad". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Homages: III. Lullaby is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Homages: III. Lullaby by Cheryl Frances-Hoad, Ivana Gavrić having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 18 Miniatures for Violin & Piano: No. 18, Dolce | Giya Kancheli, Elisaveta Blumina, Hartmut Schill | N/A | N/A | N/A | 0 BPM | ||
| Requiem: III. And God shall wipe away all tears | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Lucy Mitten | D Major | 0 | 10B | 83 BPM | ||
| Missa pro defunctis a 5 "Requiem": I. Introitus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Invocation | Cheryl Frances-Hoad, Leonid Gorokhov, Michael Petrov, Steffan Morris, Irene Enzlin, Sebastian Kolin, Andrew Power, Rosie Stoner, Rodrigo Moro Martín | G Major | 1 | 9B | 85 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Stranger | Yuri Alexandrovich Falik, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| Poor Hymnal: No. 5, The Least of Us | David Lang, The Crossing, Donald Nally | F Minor | 1 | 4A | 139 BPM | ||
| Song 1 - Arr. for Vocal Ensemble by Timothy Roberts & Patrick Dunachie | Orlando Gibbons, The King's Singers, Jeremy West | F Major | 1 | 7B | 81 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| We Shall Walk Through The Valley (arr. Undine Smith Moore for Apollo5) | Undine Smith Moore, Apollo5 | C Major | 0 | 8B | 103 BPM | ||
| Into the Light: No. 4, Flower into Kindness | Jake Runestad, Conspirare, Kathlene Ritch, Craig Hella Johnson | D Major | 1 | 10B | 83 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| Homages: Book 1: I. Contemplation | Cheryl Frances-Hoad, Adam Laloum | E Minor | 0 | 9A | 170 BPM | ||
| One Life Stand: V. The Shadow Tree | Cheryl Frances-Hoad, Jennifer Johnston, Joseph Middleton | G Major | 1 | 9B | 78 BPM | ||
| Organoedia ad missam lectam, K. 186: V. Sanctus | Zoltán Kodály, Iain Quinn | A Major | 0 | 11B | 68 BPM | ||
| Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | F Major | 1 | 7B | 81 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 71 BPM | ||
| Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
| Even You Song: X. Collects | Cheryl Frances-Hoad, Peterborough Cathedral Choir, St. Augustine's Junior School Choir, Bishop Creighton Academy Choir, West Town Primary Academy Choir, William Law CE Primary School Choir, David Humphreys, Steven Grahl | F Major | 0 | 7B | 74 BPM | ||
| Soir sur la plaine | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | B Major | 1 | 1B | 134 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM |