- BPM
- 132
- Key
- B♭ Major
- Camelot
- 6B
Canonical Form by Milton Babbitt, Robert Taub Song Details
"Canonical Form" by Milton Babbitt, Robert Taub had its release date on 1986. This song appears to be safe for all ages as it is not explicit. The track order of this song in Milton Babbitt, Robert Taub's "Milton Babbitt: Piano Works" album is number 8 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, Canonical Form's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of Canonical Form by Milton Babbitt, Robert Taub to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Music Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -24.679 dB
- Acousticness
- 96%
- Danceability
- 48%
- Energy
- 8%
- Instrumentalness
- 52%
- Liveness
- 10%
- Loudness
- 59%
- Speechiness
- 6%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | |
 | String Quartet No. 2, Op. 10: I. Mäßig | Arnold Schoenberg, Malin Hartelius, Gringolts Quartet | G Major | 1 | 9B | 80 BPM | |
 | Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | |
 | 6 Chansons: No. 5, Aujourd'hui le ciel est noir... | Iannis Xenakis, Stephanos Thomopoulos | F♯ Major | 0 | 2B | 102 BPM | |
 | Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | |
 | Turangalîla-Symphonie: II. Chant d'amour 1 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | |
![Symphony No. 1: I. [Quarter Note = 60] by Galina Ustvolskaya, London Philharmonic Orchestra, Christian Karlsen](https://i.scdn.co/image/ab67616d00001e028311241b2021638307f315e6) | Symphony No. 1: I. [Quarter Note = 60] | Galina Ustvolskaya, London Philharmonic Orchestra, Christian Karlsen | C Major | 0 | 8B | 136 BPM | |
 | Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | |
| Turangalîla-Symphonie: I. Introduction | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | B Major | 4 | 1B | 152 BPM | |
 | Suite of Preludes: No. 2, Affettuoso | Kazimierz Serocki, Miyako Arishima | B♭ Minor | 3 | 3A | 110 BPM | |
 | Wozzeck, Op. 7, Act I Scene 2: An Open Field Outside the Town. Du, der Platz ist verflucht! Ach was! | Alban Berg, Franz Grundheber, Philip Langridge, Claudio Abbado, Wiener Philharmoniker | D♭ Major | 1 | 3B | 145 BPM | |
 | Riessler: Deceleration | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | |
 | What's This? | Henry Cowell | F♯ Minor | 3 | 11A | 117 BPM | |
 | Soli e Duettini | Milton Babbitt, Susan Palma-Nidel, David Starobin | D Major | 1 | 10B | 85 BPM | |
 | Suite, Op. 157b: II. Divertissement | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | F♯ Major | 0 | 2B | 82 BPM | |
 | Morning Lights | The Sleepy Pianist | A♭ Major | 0 | 4B | 81 BPM | |
 | Sonata and Interludes for Prepared Piano: Sonata V | John Cage, Joanna MacGregor | G Minor | 2 | 6A | 126 BPM | |
 | Ensembles for Synthesizer | Milton Babbitt, Various Artists | B Major | 3 | 1B | 116 BPM | |
 | Ballet Mecanique | George Antheil, The Philadelphia Virtuosi Chamber Orchestra, Daniel Spalding | D♭ Major | 4 | 3B | 146 BPM | |
 | Cinq etudes de bruits - Etude aux chemins de fer | Pierre Schaeffer | B♭ Minor | 8 | 3A | 78 BPM | |
 | The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 77 BPM | |
 | Sonata V | John Cage | F♯ Major | 6 | 2B | 111 BPM | |
 | Piano Concerto No. 1, BB 91, Sz. 83: II. Andante | Béla Bartók, Géza Anda, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | B Major | 2 | 1B | 150 BPM | |
 | Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | |
 | Musica ricercata: No. 7, Cantabile, molto legato | György Ligeti, Pierre-Laurent Aimard | B♭ Major | 0 | 6B | 110 BPM |
- ISRC
- USHM18616008
- Label
- L-M Records/RCA Records